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Houses in Paris, Place Ravignan

Juan Gris Spanish
Paris, 1911
Not on view
This study for an oil painting of the same title (Houses in Paris, Place Ravignan (1911 or 1912, The Leonard A. Lauder Cubist Collection) shows how precisely Gris mapped out his composition, from the prominent diagonal axis to the areas of white highlight. The setting is the place Ravignan in Paris, the site of Gris’s studio. Fernande Olivier recalled that the "little square is shaded by four trees and surrounded by four buildings with four streets leading into it. It’s like the heart of a primitive cross. . . . There are two nice old painted wood benches, though the paint is peeling off them, and in summer it’s pleasant to sit here and collect your thoughts. . . . In winter . . . it’s as slippery as an ice rink and the square is deserted."

Artwork Details

Object Information
  • Title: Houses in Paris, Place Ravignan
  • Artist: Juan Gris (Spanish, Madrid 1887–1927 Boulogne-sur-Seine)
  • Date: Paris, 1911
  • Medium: Black chalk and gouache on white laid paper
  • Dimensions: 16 7/8 x 12 3/8 in. (42.9 x 31.4 cm)
  • Classification: Drawings
  • Credit Line: Leonard A. Lauder Cubist Collection, Gift of Leonard A. Lauder, 2016
  • Object Number: 2016.237.26
  • Curatorial Department: Modern and Contemporary Art
More Artwork
The Musician’s Table, Juan Gris  Spanish, Conté crayon, wax crayon, gouache, cut-and-pasted printed wallpaper, blue and white laid papers, transparentized paper, newspaper, and brown wrapping paper; selectively varnished on canvas
Juan Gris
1914
Drawing of Two Medieval Swords, Mariano Fortuny Marsal  Spanish, Paper, ink, graphite, Spanish
Mariano Fortuny Marsal
19th century
(from Sketchbook), James McNeill Whistler  American, Drawings in pen and ink, graphite, gouache, and black chalk on off-white and toned wove and laid paper, American
James McNeill Whistler
1854–55
Head of a Woman (Portrait of the Artist's Mother), Juan Gris  Spanish, Oil on canvas
Juan Gris
Paris, 1912
Rapier, Steel, silver, blade, Spanish
blade, Spanish
probably 19th century in the 16th century style

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