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The Banishment of Hagar

1839–41
On view at The Met Fifth Avenue in Gallery 801


In this scene from the Book of Genesis, Abraham casts out his son Ishmael and the boy’s mother, the servant Hagar, to placate his wife, Sarah, who wants Isaac, her son with Abraham, to be sole heir. Abraham’s pose, with arms outstretched to both women, embodies the emotional and moral tension of the story. The simplicity of the composition and the delicate color harmonies attest to Overbeck’s appreciation for early Renaissance painting. Although many of his contemporaries regarded this bygone art as archaic, he championed its purity and spirituality. In 1809, Overbeck brought together a cohort of like-minded German artists, who came to be called the Nazarenes, after some of Jesus’s first followers.

Artwork Details

Object Information
  • Title: The Banishment of Hagar
  • Artist: Johann Friedrich Overbeck (German, Lübeck 1789–1869 Rome)
  • Date: 1839–41
  • Medium: Oil on canvas
  • Dimensions: 39 in. × 44 3/4 in. (99.1 × 113.7 cm)
  • Classification: Paintings
  • Credit Line: Purchase, Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and Joseph Pulitzer Bequest; Catharine Lorillard Wolfe Collection, Wolfe Fund; and Charles and Jessie Price Gift, 2024
  • Object Number: 2024.107
  • Curatorial Department: European Paintings
More Artwork
The Lamentation, Johann Friedrich Overbeck  German, Graphite partly worked over with pen and black ink and heightened with white; graphite framing line
Johann Friedrich Overbeck
1840–45
Christ in the Garden of Gethsemane, Johann Friedrich Overbeck  German, Black fabricated crayon (possibly early conté crayon) with touches of brown fabricated crayon and thin brown watercolor wash; framing line in black fabricated crayon
Johann Friedrich Overbeck
1848
Return of the Prodigal Son, Friedrich Olivier  German, Graphite; framing lines in pen and black ink
Friedrich Olivier
1830–35
The Martyrdom of the seven brothers; verso: Sketch of two men wrestling (?), Julius Schnorr von Carolsfeld  German, Pen and brown ink, over a sketch in graphite; verso: graphite
Julius Schnorr von Carolsfeld
1826
Hagar in the Wilderness, Camille Corot  French, Oil on canvas
Camille Corot
1835

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