"Picturing the Apocalypse: Illustrated Leaves from a Medieval Spanish Manuscript": The Metropolitan Museum of Art Bulletin, v. 59 no. 3 (Winter, 2002)

THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 59 | NUMBER 3

"Picturing the Apocalypse: Illustrated Leaves from a Medieval Spanish Manuscript"

Lawson, Margaret, and William D. Wixom

2002

56 pages

This title is out of print.

Download PDF (22.79 MB)

About the authors

WIlliam D. Wixom

Margaret Lawson

Met Art in Publication

Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists, Elephant ivory, South Italian — Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists
South Italian
1000–1050

Lion, Fresco, mounted on canvas, Spanish — Lion
Spanish
after 1200

The Cloisters Apocalypse, Tempera, gold, silver, and ink on parchment; later leather binding, French — The Cloisters Apocalypse
French
ca. 1330

Sculpture of a Wise Man (from a Group with the Adoration of the Magi), Limestone, Spanish — Sculpture of a Wise Man (from a Group with the Adoration of the Magi)
Spanish
ca. 1175–1200

Virgin and Child (from an group with the Adoration of the Magi), Limestone, Spanish — Virgin and Child (from an group with the Adoration of the Magi)
Spanish
ca. 1175–1200

Falcon, Bronze, traces of gilding, South Italian — Falcon
South Italian
ca. 1200–1220

Valve of a Mirror Case, Bronze gilt, British — Valve of a Mirror Case
British
1180–1200

Leaf from a Beatus Manuscript: Christ in Majesty with Angels and the Angel of God Directs Saint John to Write the Book of Revelation, Tempera, gold, and ink on parchment, Spanish — Leaf from a Beatus Manuscript: Christ in Majesty with Angels and the Angel of God Directs Saint John to Write the Book of Revelation
Spanish
ca. 1180

Leaf from a Beatus Manuscript: the Sixth Angel Delivers the Four Angels that had been Bound at the River Euphrates; an Altar Appears in the Heavens as the Enthroned Christ Raises His Hand in Blessing, Tempera, gold, and ink on parchment, Spanish — Leaf from a Beatus Manuscript: the Sixth Angel Delivers the Four Angels that had been Bound at the River Euphrates; an Altar Appears in the Heavens as the Enthroned Christ Raises His Hand in Blessing
Spanish
ca. 1180

Panel with Byzantine Ivory Carving of the Crucifixion, Silver-gilt with pseudo-filigree, glass, crystal, and sapphire cabochons, ivory on wood support, Byzantine (ivory); Spanish (setting) — Panel with Byzantine Ivory Carving of the Crucifixion
Byzantine (ivory); Spanish (setting)
10th century (ivory); late 11th century (setting)

Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a Book, Tempera, gold, and ink on parchment, Spanish — Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a Book
Spanish
ca. 1180

Plaque with the Journey to Emmaus and Noli Me Tangere, Elephant ivory, traces of gilding, Spanish — Plaque with the Journey to Emmaus and Noli Me Tangere
Spanish
ca. 1115–20

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