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Terrible Beauty

“Medieval art is very much about a multi-media experience.”

Curator C. Griffith Mann on the fifteenth-century painting Saint Michael by Master of Belmonte.


Contributors

C. Griffith Mann
Michel David-Weill Curator in Charge, Department of Medieval Art and The Cloisters

Photography by Anne-Marie Kellen


Saint Michael, Master of Belmonte  Spanish, Tempera and oil on wood, North Spanish
Master of Belmonte
1450–1500
An ornate blue mythical creature with sweeping wings, curled tail, and patterned feathers fills a worn gold manuscript page beside dark decorative letters.
This small plaque of Mark the Evangelist, represented by a lion holding a book between its wings, stands for many stories that illustrate facets of medieval Christian faith.
Guadalupe Nettel
October 8
White stone figure with wide eyes and a long, ridged beard, clasping his hands across his chest.
An encounter with an ancient devotional figure reminds us that images can stand in for people.
Adam Eaker
October 6
manuscript painting showing a man with a halo in a blue dress with monks in brown habits in the background and to the right the figure of a man with a halo sleeping and a concealed figure holding a blue dress
A roundtable discussion explores gender presentation, the history of fashion, and mockery in medieval depictions of Saint Jerome.
Nancy Thebaut, Jesse Darling, Ayla Lepine, and Clovis Maillet
March 24
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