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Terrible Beauty

“Medieval art is very much about a multi-media experience.”

Curator C. Griffith Mann on the fifteenth-century painting Saint Michael by Master of Belmonte.


Contributors

C. Griffith Mann
Michel David-Weill Curator in Charge, Department of Medieval Art and The Cloisters

Photography by Anne-Marie Kellen


Saint Michael, Master of Belmonte  Spanish, Tempera and oil on wood, North Spanish
Master of Belmonte
1450–1500
A bespectacled man in a navy suit sits in a wheelchair before an ornate Gothic arch and stained glass.
Video
Join C. Griffith Mann, Michel David-Weill Curator in Charge of The Met Cloisters and Medieval Art, for a look at the seven individual hangings known as “The Unicorn Tapestries.”
C. Griffith Mann
October 29
An ornate blue mythical creature with sweeping wings, curled tail, and patterned feathers fills a worn gold manuscript page beside dark decorative letters.
This small plaque of Mark the Evangelist, represented by a lion holding a book between its wings, stands for many stories that illustrate facets of medieval Christian faith.
Guadalupe Nettel
October 8
White stone figure with wide eyes and a long, ridged beard, clasping his hands across his chest.
An encounter with an ancient devotional figure reminds us that images can stand in for people.
Adam Eaker
October 6