English
DonateMembershipTickets

Traité du Jardinage selon les Raisons de la Nature et de l'Art

Possibly by Michel van Lochom Flemish
Author Jacques Boyceau French
Publisher Michel van Lochom Flemish
1638
Not on view
Jacques Boyceau de la Baraudière's Traité du jardinage selon les raisons de la nature et de l'art, published in Paris in 1638, was the most important publication on the subject of garden architecture in the period prior to André Mollet's 1651 treatise. The title explains the content of the book, which combines practical information with aesthetic insight. It was through the dissemination of such print works that the latest French garden-artistic principles and new patterns for parterre decorations would become known abroad. Boyceau's treatise depicts the gardens of the Luxembourg, commissioned in 1615 by Marie de' Medici with her Florentine Palace and Boboli Gardens in mind.

Artwork Details

Object Information
  • Title: Traité du Jardinage selon les Raisons de la Nature et de l'Art
  • Artist: Possibly by Michel van Lochom (Flemish, Antwerp 1601–1647 Paris)
  • Author: Jacques Boyceau (French, active 1602–ca. 1633)
  • Publisher: Michel van Lochom (Flemish, Antwerp 1601–1647 Paris)
  • Published in: Paris
  • Date: 1638
  • Medium: Engraving and woodcut
  • Dimensions: Overall: 16 15/16 x 11 7/16 x 1 1/2 in. (43 x 29 x 3.8 cm)
  • Classification: Books
  • Credit Line: Harris Brisbane Dick Fund, 1926
  • Object Number: 26.104.2
  • Curatorial Department: Drawings and Prints
More Artwork
Grand Parterre du Jardin de la Royne mere a Luxembourg, in "Traité du Jardinage selon les Raisons de la Nature et de l'Art", Michel van Lochom  Flemish, Engraving
Possibly by Michel van Lochom
Author Jacques Boyceau
Publisher Michel van Lochom
1638
Costume Armor in the Classical Style, Hallé  French, Helmet: linen, papier-mâché, bole, gold leaf, graphite; tunic: silk, cotton, metal coils and spangles, metallic yarn, French, Paris
Helmet includes original paper label of Hallé
ca. 1788–90
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence, Israhel van Meckenem  German, Engraving, two touched with gold;  woodcut, hand-colored; metalcut, hand-colored; manuscript in dark brown ink with red, and blue initials and flourishes; bound in blind-stamped leather
Israhel van Meckenem
Anonymous, Netherlandish, 15th century
Anonymous, German, Cologne, 15th century
late 15th century
Armor of Infante Luis, Prince of Asturias (1707–1724), Jean Drouart  French, Steel, gold, brass, silk, cotton, metallic yarn, paper, French, Paris
Armorer Signature probably refers to Jean Drouart
dated 1712
Le due regole della prospettiva practica di M. Iacomo Barozzi da Vignola, Jacopo [Giacomo] Barozzi da Vignola  Italian, Printed book with woodcut, etched, and engraved illustrations
Multiple artists/makers
1611

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.