Le Vrai et le Faux Chic, Musée des Erreurs, Page 4

Publisher Succés French
1914
Not on view
Fourth page of illustrated section, "Musée des Erreurs" (Museum of Errors), of book with color lithography illustrations, titled "Le Vrai & le Faux Chic" (The True and False Chic), written and illustrated by SEM [Georges Goursat], and published in Paris in 1914. The page contains two rough illustrations of a female figure wearing a Hobble skirt and jacket with fur on the neckline, a turban with feathers, and high heels, holding a fur muff on one arm and a cane on the other; one of them is only outlined with gray and the other fully rendered with gray and black. There is a larger figure of a woman wearing a Hobble skirt with two shorter flared skirts with fur borders, a jacket with fur neckline, and holding a fur muff on her arm; she wears a green "cloche" hat on her head, decorated with black and gray feathers, and black high heels on her feet; her garments are colored with shades of gray, and the fur details with black and shades of brown. A second, large female figure wears an orange Hobble skirt with matching loose jacket with ruffles and decotated with green tassels and gray fur in the neckline and sleeves, and a green hat with black and gray feathers.

The set of illustrations titled "Musée des Erreurs" (Museum of Errors) provides a number of examples of the "false chic" that SEM criticizes, through caricature in both the written commentary and the illustrations, in his book, which consists of a title page, 2 leaves with advertisements, 40 pages text and illustrations (17 pages compose the illustrated section "Musée des Erreurs"), and 2 leaves with advertisements, not bound and kept in a blue slip case with the original white paper covers, embossed and gilded. SEM argues that disorder that reigns the fashion industry of the time. Fashion, he argues, is no longer reserved for specialists, and appeals for the collaboration of painters, artists and writers alike. It is an "eminently French" phenomenon, which lives especially in Paris, although it has become a sort of vice by the time he writes: fashion has become disorganized and ever-changing due to the influence of a group of people who lack discipline and control. This has led to a number of extravagances that reflect on the irrational choices in the costumes and headdresses of women and the complicated and excessive outfits worn by Parisian women.

Artwork Details

Object Information
  • Title: Le Vrai et le Faux Chic, Musée des Erreurs, Page 4
  • Artist: Georges Goursat [Sem] (French, Perigueux 1863–1934 Paris)
  • Publisher: Succés , Paris
  • Date: 1914
  • Medium: Color lithograph
  • Dimensions: Sheet: 17 7/8 × 12 13/16 in. (45.4 × 32.6 cm)
  • Classifications: Prints, Ornament & Architecture
  • Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
  • Object Number: 62.652.7(5)
  • Curatorial Department: Drawings and Prints

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.