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Two statues draped in translucent veils against a dark background with swirling lines. Bold text reads 'Costume Art'
Exhibition

Costume Art

The Costume Institute’s spring 2026 exhibition explores depictions of the dressed body across The Met’s vast collection, pairing garments with artworks to reveal the inherent relationship between clothing and the body.

Focusing primarily on Western art from prehistory to the present, Costume Art presents connections between garments from The Costume Institute and objects from the Museum’s other collecting areas. Pairings between fashions and artworks will present a spectrum of connections and experiences: from the formal to the conceptual, the aesthetic to the political, the individual to the universal, the illustrative to the symbolic, and the playful to the profound. These pairings are organized into a series of thematic body types that reflect their pervasiveness and endurance through time and cultures.

Costume Art is the inaugural exhibition in the new, nearly 12,000-square-foot galleries adjacent to the Great Hall. This space will display The Costume Institute’s annual spring show and, at times, shows from the Museum’s other curatorial departments, including those that explore the intersection of fashion and art.

The exhibition is made possible by

Jeff Bezos and Lauren Sánchez Bezos


Additional support is provided by

Saint Laurent logo
Condé Nast logo

The catalogue is made possible by

Saint Laurent logo

Black and white large print label.

To access a large-print version of the exhibition text, click here

We welcome all autistic visitors and anyone who benefits from detailed information about the museum. This social narrative will help you plan for an enjoyable visit to Costume Art and will cover important things to remember, such as sensory notes and steps for moving through the museum.

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Moda como Medio: Imagen, Arte e Identidad

10 septembre 18:30The Met Fifth Avenue
A Deaf educator stands in front of a Medieval tapestry with his hands up, at about chest height, as he signs. His face is quite serious.

Met Signs Tour—Costume Art

18 septembre 18hThe Met Fifth Avenue
Two people sit at a studio artmaking table  covered in brown paper with two warped cardboard looms on the table. On the left, a young child with brown hair and a red and navy striped shirt holds a pink straw in his hands as he leans his elbow on the table. Next to him, on the right, sits an adult in a black jacket, wire-framed glasses, and a khaki hat; he sorts through a pile of colorful yarn, pipe cleaners, and straws.

Discoveries (Ages 5–13)—Fabulous Fashion!

25 octobre 11hThe Met Fifth Avenue
Two people sit at a studio artmaking table covered in brown paper with two warped cardboard looms and piles of colorful yarn and pipe cleaners on the table. On the left, an adult with long black hair in a long-sleeve black top works on a warped cardboard loom with the teenager next to her. The teenager sits at the head of the table with short black hair, a khaki shirt, and black pants. Together, the pair works on their loom. In front of them at the table are other materials and blue-color-pencil drawings.

Discoveries (Ages 14–22)—Fabulous Fashion!

25 octobre 11hThe Met Fifth Avenue
Three people sit at a studio artmaking table with two warped cardboard looms and piles of colorful yarn and pipe cleaners. On the left, an adult with short hair wears a pink plaid shirt and black framed glasses. She works on a loom with the young adult next to her, who is wearing a bright pink jacket, circular wire-framed glasses, and her hair in a ponytail. She holds a light pink water bottle. On her other side sits an adult man in a grey vest and maroon shirt who smiles cheerfully at the two women.

Discoveries (Ages 23+)—Fabulous Fashion!

25 octobre 14hThe Met Fifth Avenue

Fashion blockbuster.

The New York Times

Brilliant.

Vanity Fair

Every pairing is a visual dance.

The Wall Street Journal

A form of living sculpture.

The New Yorker

Costume Art

Asserting the central role of the dressed body in art throughout history, this volume presents fashion as an essential expression of creativity and identity.

Image Credits
Assemblage: Ensemble, John Galliano for Maison Margiela, autumn/winter 2020–21 haute couture. Courtesy of Maison Margiela; The Veiled Woman, Rafaelle Monti, 1854. The Metropolitan Museum of Art, New York, Gift of Annie Brinkmann, 1887 (87.7) Artwork by Julie Wolfe.