Français
Faire un donDevenir membreBillets
Nous travaillons à la traduction de cette page dès que possible. Merci de votre compréhension.

After Victory

"When I assumed the pose of Perseus, I felt a sense of power, confidence, and strength." —Emmanuel von Schack, educator and ASL user

"When I assumed the pose of Perseus, I felt a sense of power, confidence, and strength."—Emmanuel von Schack, educator and ASL user

Learn more about this object: here
How does the sculpted body communicate? Hear from Met experts, leading authorities, and rising stars, each with a unique viewpoint on the language of gesture, facial expression, and pose.

See all viewpoints: here
Join the conversation: #MetViewpoints


Perseus with the Head of Medusa, Antonio Canova  Italian, Marble, Italian, Rome
Antonio Canova
Patron Commissioned by Count Jan and Countess Valeria Tarnowski
1804–6
A Self-Portrait painting by the African American Painter Horace Pippin. A Black man sits against a blue background from his shoulders up looking directly towards us with deep brown eyes. He is wearing a black suit, off-white yellowish suit, and a striped tie with brown and a golden-mustard yellow.
How has art history overlooked the crucial role disability played in Pippin's painting?
Bryan Martin
July 26, 2023
Close-up of the marble statue of Nydia, The Blind Flower Girl of Pompeii, made by Randolph Rogers, from her above her shoulders showing a young girl with closed eyes and a hand cupped around her right ear in a gesture suggesting it aids her hearing. Nydia’s face is directly facing the camera. The sculpture is in the American Wing Engelhard Sculpture Court at The Met, a skylit space with direct, dramatic natural light.
"No place for a blind girl in a city of ash."
Georgina Kleege
July 10, 2023
Sculpture of a right ear with the canal indicated by a circular hole, traces of red paint, and five syllabic signs carved into the lobe
Disabled and Deaf artists reflect on work from the Museum's collection.
Victoria Martinez
July 1, 2022