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Persée brandissant la tête de Méduse

1804–6
On view at The Met Fifth Avenue in Gallery 548
De 1797 à 1801, Canova s’employa à sculpter une statue de Persée, inspirée de l’Apollon du Belvédère romain, exécuté au IIe siècle apr. J.-C. et conservé aux Musées du Vatican. Persée brandit la tête de Méduse, qu’il a tuée avec le concours de la déesse Minerve. Le pape Pie VII acheta la statue alors qu’elle était encore dans l’atelier de Canova et la fit installer à l’emplacement de l’Apollon du Belvédère qui avait été envoyé quelque temps en France, sur ordre de Napoléon. La version conservée au Metropolitan Museum, commandée peu après par une comtesse polonaise du nom de Waleria Tarnowska, comporte plusieurs variantes. Le Persée de Canova, dans sa svelte majesté, devint un modèle de beauté héroïque néoclassique.

Artwork Details

Object Information
  • Titre: Persée brandissant la tête de Méduse
  • Artiste: Antonio Canova, Italien, 1757–1822
  • Date: 1804–1806
  • Technique: Marbre
  • Dimensions: H. 242,6 cm
  • Crédits: Fonds Fletcher, 1967
  • Accession Number: 67.110.1
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Uniquement disponible en: English
Cover Image for 86. Perseus with the Head of Medusa, Part 1

86. Perseus with the Head of Medusa, Part 1

Gallery 548

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PETER BELL: This is a sculpture about movement. Perseus's weight rests on his left leg, and he also moves in that same direction. So there's a sweep of motion that's highlighted by the drapery as it falls off of his shoulder.

ALICE SCHWARZ: The swag of the fabric that extends behind his body almost shows the movement of that arm that has just been raised. You almost get a sense that the arm has just come up to show off, like a trophy, the head that dangles from his hand.

NARRATOR: At first glance, you might think this sculpture shows the grisly moment after the mythical hero Perseus has beheaded Medusa, but look more closely.

ALICE SCHWARZ: The moment that's been captured should be incredibly dramatic. That he has just severed the head of perhaps the most evil thing that he has encountered.

PETER BELL: His right hand holding the sword is not in action. His stance suggests this story. It's a presentational pose. It's a sculpture about motion, but it's not the motion of killing. This could be the moment that Perseus presents the head of Medusa as a votive offering to Athena, rather than the moment in which Perseus slays the monster.

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