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An open medieval manuscript featuring illustrated scenes of biblical figures on the left page and ornate lettering on aged parchment on the right page.

Provenance Research at The Met

Every one of the more than 1.5 million objects in The Met collection has a unique history, purpose, and context. Part of the Museum’s mission is to research and present the provenance of every piece in our care. This work enables the Met to continuously expand and diversify the narratives we present in the galleries and on the website. When, how, and where was each piece in The Met’s stewardship created? Who made it, and why? What journey did it take to New York?

The provenance team works with The Met’s curators, conservators, and scientists, as well as internal and external partners, in conducting a systematic review of the provenance of the Museum’s holdings and ensuring that all objects entering the collection meet The Met’s strict collecting policies. The Met is a leader in the field in providing provenance information on most of our collection, with hundreds of thousands of objects available online.

For more information, read our FAQs about The Met collecting practices.

Recent news
FEATURED

Collaborative Research Conducted by The Met and the Republic of Iraq

As part of this collaboration, The Met initiated the return of the sculpture Vessel Stand with Ibex to Iraq, which was marked by a ceremony held at the Museum.

A marble Puteal (wellhead) with Narcissus and Echo, and Hylas and the Nymphs.
Research
The Met is committed to the responsible collecting of ancient art, archaeological materials, and other cultural property, including works of art from once-colonized areas, and goes to great lengths to ensure that all objects entering the collection meet its strict collecting policies.
Color photograph of provenance research book covers.
Research
In response to the systematic, widespread looting by the Nazi regime, the provenance of works that changed hands in German-occupied Europe during the Nazi era has long been an area of particular focus for The Met.
A grey square shaped stone with an engraved scene photographed against a grey background.
Collaboration
Sometimes The Met learns through its own research or from an outside source that a work should be returned to its country of origin, based on our policies and the laws of the country in which it originated. Learn about objects that The Met has returned.
Collage of IFAR journal covers.

Expanding access to a landmark provenance and cultural heritage resource.

Robyn Fleming and Amy Hamilton
May 20
a woman in a green blazer and black headscarf and a man in a blue shirt observing an ibex sculpture
Modern technology reveals new information about the recently repatriated 4,500-year-old sculpture in a research collaboration with the Republic of Iraq.
Jean-François de Lapérouse
May 18
collage of four images at top left a porcelain cat like figure at bottom left a woven basket at center a sculpture of the virgin mary and child and at right a golden scroll
Four provenance researchers at The Met present case studies that convey the diverse and often complicated nature of their work.
Lucian Simmons, Christine E. Brennan, Gloria de Liberali, Riva Arnold, and Jennifer Day
April 9