English
DonateMembershipTickets

Landscape with Three Trees in the Foreground

1641–99
Not on view
In the foreground of this wooded landscape, the white stem of a beech catches sunlight as it tilts to the right, thereby effectively leading the viewer further into the picture. The landscape descends into a valley with a castle and a distant hillside. The artist used an elaborate mixture of pen and ink, with tonally applied washes and white gouache to create rich tonal effects and a convincing sense of depth and texture, thereby enhancing the impressive structure of the composition.

Lucas Achtschellink belonged to a group of Flemish landscapists, active in the surroundings of Brussels around the middle of the seventeenth century. His work shows strong resemblance to that of his presumed teacher, Lodewijk de Vadder (1605–1655) and his prolific contemporary Jacques d’Arthois (1613–1686), with whom his pictures are often confused.

All three artists had a predilection for rustic, wooded landscapes, for which the Sonian Forest (Forêt de Soigne) nearby Brussels provided an outstanding source of inspiration.

Artwork Details

Object Information
  • Title: Landscape with Three Trees in the Foreground
  • Artist: Lucas Achtschellinck (Flemish, Brussels 1626–1699 Brussels)
  • Date: 1641–99
  • Medium: Graphite, with brush and gray and black wash, with body color
  • Dimensions: 14.6 x 11.8 in. (37.1 x 30.0 cm)
  • Classification: Drawings
  • Credit Line: Frits and Rita Markus Fund, 1999
  • Object Number: 1999.284
  • Curatorial Department: Drawings and Prints
More Artwork
Corporation Banner of Crossbow Guild, Silk, Flemish
Flemish
late 17th century
Study of Eleven Heads, Jacques de Gheyn II  Netherlandish, Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite
Jacques de Gheyn II
late 16th–early 17th century
Cosimo II de' Medici (1590–1621), Grand Duke of Tuscany, Justus Sustermans  Flemish, Oil on canvas, transferred from wood, Flemish
Workshop of Justus Sustermans
1597–1681
Eastern Coast of Rügen with Shepherd, Caspar David Friedrich  German, Pen and brown ink, brush and brown wash, over graphite, with white opaque watercolor; partial framing lines in pen and brown-black ink
Caspar David Friedrich
1805–6
Close Helmet, Steel, leather, copper alloy, possibly Italian or Flemish
possibly Italian or Flemish
ca. 1520 and 1908

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.