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Self-portrait as a faun and four head studies

Sitter Louis Anquetin French
1915–20?
Not on view
A member of the Parisian avant-garde throughout the 1880s and early 1890s, Anquetin turned to a more traditional practice in 1894, following a visit to Holland with his closest friend the artist Henri de Toulouse-Lautrec. He became a fanatical admirer of Rubens and his study of the seventeenth-century Flemish master’s work possibly led him to the motif of the faun or satyr. Rubens made numerous paintings featuring the Greek gods Pan and Silenus. Anquetin adopted the guise of the faun, with and without horns, in many of his self-portraits.

Artwork Details

Object Information
  • Title: Self-portrait as a faun and four head studies
  • Artist: Louis Anquetin (French, Etrépagny 1861–1932 Paris)
  • Sitter: Louis Anquetin (French, Etrépagny 1861–1932 Paris)
  • Date: 1915–20?
  • Medium: Pen and ink, brush and brown wash, and graphite
  • Dimensions: Sheet: 11 1/2 in. × 8 in. (29.2 × 20.3 cm)
  • Classification: Drawings
  • Credit Line: Gift of Dr. and Mrs. Michael Schlossberg, 2019
  • Object Number: 2019.164.2
  • Curatorial Department: Drawings and Prints
More Artwork
The Horseman and the Beggar, also called Don Quixote and Sancho Panza (Le Cavalier et le Mendiant), from "L'Estampe Originale", Louis Anquetin  French, Lithograph
Louis Anquetin
Publisher André Marty
1893
Saint Peter's Seen From the Pincio, Rome, Henri-Joseph Harpignies  French, Pen and black ink, brush, gray and blue-gray washes
Henri-Joseph Harpignies
1856
Study of Eleven Heads, Jacques de Gheyn II  Netherlandish, Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite
Jacques de Gheyn II
late 16th–early 17th century
Anquetin Trade Card, Louis Anquetin  French, Lithograph
Louis Anquetin
19th—early 20th century
Glass Horn, Glass, French
French
19th century

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