Portrait of Alexandre Dumas

Etienne Carjat's large-scale caricatural portrait presents the celebrated author Alexandre Dumas père as a literary heavyweight, emphasizing both his late-in-life physical heft and his plentiful publications. As a prominent Black figure in Parisian society, Dumas was often the subject of racist caricatures. Here, although Carjat exaggerated the proportions of Dumas’s lips and frizzy hair, the artist focused more on satirizing his professional persona and accomplishments. His attributes include a large quill tucked under one arm and two inkwells that hang from his waistcoat. Falling from his overstuffed pockets are references to his best-known novels, "The Three Musketeers" and "The Count of Monte Cristo," as well as "Georges," "La Reine Margot," and his various travelogues. The titles of two weekly journals he founded largely for self-promotion, "Le Mousquetaire" (1853–57) and "Le Monte-Cristo" (1857–62), are displayed like flags on newspaper sticks. His prolificacy is suggested by the many pages titled "mémoires" that tumble down on the right. One of his collaborators in "Le Mousquetaire," Joseph Méry, penned the epigram below the image, which translates as: "A moral and physical giant, / Prose or verse, everything pleases him…" This is one of two known caricatures Carjat made of Dumas; he later made a photographic portrait (1992.5148.25).