Italiano
DonaAbbonamentoBiglietti
Stiamo lavorando per tradurre questa pagina il prima possibile. Grazie per la comprensione.

Reinstalling Art of Native America: Three Perspectives

Explore Dream Catcher by Marie Watt (Seneca Nation), featured in the exhibition Art of Native America.

In the second day of the Annual Textile Conservation Colloquium, explore Dream Catcher by interdisciplinary artist Marie Watt (Seneca Nation), a featured work in the exhibition Art of Native America: The Charles and Valerie Diker Collection. Learn about the artist’s process—drawn from history, memory, Iroquois/Haudenosaunee protofeminism, and Indigenous teachings—and the intent and interpretation behind the installation at The Met.

Featuring:
Cristina Balloffet Carr, Conservator, Textile Conservation, The Met
Alexandra Barlow, Assistant Conservator, Textile Conservation, The Met
Marie Watt, artist
Sylvia Yount, Lawrence A. Fleischman Curator in Charge, The American Wing, The Met

This colloquium is made possible by the generous support of the Lenore G. Tawney Foundation.

© 2021 The Metropolitan Museum of Art


Contributors

Cristina Balloffet Carr
Conservator, Department of Textile Conservation
Sylvia Yount
Lawrence A. Fleischman Curator in Charge of the American Wing
Marie Watt
Artist
Alexandra Barlow
Assistant Conservator, Textile Conservation

An ornate blue mythical creature with sweeping wings, curled tail, and patterned feathers fills a worn gold manuscript page beside dark decorative letters.
This small plaque of Mark the Evangelist, represented by a lion holding a book between its wings, stands for many stories that illustrate facets of medieval Christian faith.
Guadalupe Nettel
October 8
Several people install a monumental black-and-beige abstract splatter painting in a gallery, working together with care and concentration.
Video
Take a look behind the scenes as Met handlers install Jackson Pollock’s 17-foot Autumn Rhythm: Number 30, 1950.
October 2
Oil portrait of an 18th-century gentleman with powdered hair, a dark coat, gold buttons, and a white ruffled cravat, gazing calmly.
How do visual representations of the flawed but fascinating American revolutionary allow us to reflect on—and rethink—his legacy?
Andrew M. Davenport
August 11
More in:On ViewIdentityLectures and Symposia