The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)
The scenes are not, however, the product of the enameler's imagination; rather, they are close copies of the woodcut illustrations for the edition of the Latin poet’s Opera printed by Johann Grüninger in Strasbourg in 1502. The same woodcuts were used again for the edition published in Lyon in 1517. The anonymous painter of the enamels may have used either the Strasbourg of the Lyon edition as his model, but the enamels are somewhat later than either edition. Because of changes made at an early point in the series in the technique employed for counterenameling the plaques (enameling the reverse side), it seems likely that most of them were painted after about 1530 or 1533.
Artwork Details
- Title: The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)
- Artist: Master of the Aeneid (active ca. 1530–40)
- Date: ca. 1530–35
- Culture: French, Limoges
- Medium: Painted enamel on copper, partly gilt
- Dimensions: 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm)
- Classification: Enamels
- Credit Line: Gift of J. Pierpont Morgan, 1925
- Object Number: 25.40.2
- Curatorial Department: European Sculpture and Decorative Arts
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