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Tunic

7th–9th century
Not on view
In the second half of the first millennium A.D., the Wari peoples of Peru exerted strong cultural and political influence over the southern coastal and highland regions from their capital city, also called Wari (a few miles northeast of present-day Ayacucho). They introduced a distinctive art style, found on fine polychrome ceramics, exquisite personal ornaments crafted of precious materials, expertly carved works in wood, shell, and stone, and especially on elaborate textiles.

The vividly colored tie-dyed tunics featuring purely geometric motifs were also highly valued. The complex process of production involved tightly bunching the fabric (it is lighter than tapestry-woven cloth), tying a yarn around the bunch, and immersing the fabric in dye. The fabric underneath the binding did not absorb the dye; releasing the tie revealed a motif in the original, lighter color, typically a hollow diamond or a circle, as seen in this example.

Artwork Details

Object Information
  • Title: Tunic
  • Date: 7th–9th century
  • Geography: Peru
  • Culture: Wari
  • Medium: Camelid hair
  • Dimensions: H. 36 1/8 x W. 44 3/8 in. (91.8 x 112.7 cm)
  • Classification: Textiles-Woven
  • Credit Line: Gift of Arthur M. Bullowa, 1980
  • Object Number: 1980.564.1
  • Curatorial Department: The Michael C. Rockefeller Wing
More Artwork
Bottle in the shape of a feline, Wari artist(s), Ceramic, slip, Wari
Wari artist(s)
600–900 CE
Tunic with Confronting Catfish, Camelid hair, tapestry-weave, Nasca-Wari
Nasca-Wari
800–850 CE
Stirrup-spout bottle with seated figure, Moche artist(s), Ceramic, Moche
Moche artist(s)
200 CE–500 CE
Tunic with Felines, Cotton, camelid hair, Chimú
Chimú
1450–1550
Ear ornament with winged runner, Moche artist(s), Gold, turquoise, sodalite, shell, Moche
Moche artist(s)
400–700 CE

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