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Bather Drying Herself

ca. 1892
Not on view
Edgar Degas greatly admired the female figure. Whereas his depictions of ballerinas focus on the elegant, performative body, his studies of women bathing show an equal appreciation for the uninhibited gestures of this private activity. In intimate, close-up portrayals, Degas depicted his models seated, crouched, or standing, often in contorted poses as they lifted arms and legs to wash or dry themselves. Chalk and pastels helped him capture the play of light and movement in these domestic choreographies. In this relatively abstract portrayal, he used white chalk to offset the color of the paper and to suggest the curvature of the woman’s back and arms.

Artwork Details

Object Information
  • Title: Bather Drying Herself
  • Artist: Edgar Degas (French, Paris 1834–1917 Paris)
  • Date: ca. 1892
  • Medium: Charcoal and pastel, heightened with white chalk, on tracing paper (mounted on cardboard)
  • Dimensions: Sheet: 10 3/8 x 10 3/8 in. (26.4 x 26.4cm)
  • Classification: Drawings
  • Credit Line: Bequest of Stephen C. Clark, 1960
  • Object Number: 61.101.18
  • Curatorial Department: Drawings and Prints
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Hail Mary (Ia Orana Maria), Paul Gauguin  French, Fabricated charcoal, red chalk, and white pastel on formerly blue wove paper, mounted on millboard with strips of rose-colored wove paper along two edges
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The Dance Class, Edgar Degas  French, Oil on canvas
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