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Study for one of the 'Chevaux de Marly'

ca. 1740
Not on view
This study is related to the Chevaux de Marly (Horses of Marly), one of the most famous large-scale marble sculptures of the period, commissioned by the king in 1739. The statues were moved inside the Louvre in 1985 and replaced with the cement copies that now flank the entrance to the Tuileries Gardens in Paris. Surviving correspondence between French officials details how two drawings by Coustou with profiles of the blocks were sent to Rome in 1740 to aid in the purchase of appropriate pieces of Carrara marble. This sheet, more of a diagram than a premire pensée, may have been one of those drawings.It is also possible that the drawing is connected to the installation or movement of the statue.

Artwork Details

Object Information
  • Title: Study for one of the 'Chevaux de Marly'
  • Artist: Guillaume Coustou the Elder (French, Lyons 1677–1746 Paris)
  • Date: ca. 1740
  • Medium: Black chalk
  • Dimensions: sheet: 16 15/16 x 13 3/4 in. (43 x 35 cm)
  • Classification: Drawings
  • Credit Line: Harry G. Sperling Fund, 2006
  • Object Number: 2006.137
  • Curatorial Department: Drawings and Prints
More Artwork
Samuel Bernard (1651–1739), Guillaume Coustou the Elder  French, Marble, French, Paris
Guillaume Coustou the Elder
ca. 1727
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century
Amya Petitioning Faustus for the Custody of Saint Mamas, Jean Cousin the Elder  French, Pen and brown ink, brush and gray wash, heightened with white, over black chalk
Jean Cousin the Elder
ca. 1543
Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
Study of Eleven Heads, Jacques de Gheyn II  Netherlandish, Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite
Jacques de Gheyn II
late 16th–early 17th century

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