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ご来館の計画

王座の聖母子像

ca. 1130–1140
On view at The Met Cloisters in Gallery 04
イエスの頭部と王座の大部分が失われているにもかかわらず、この彫像からは圧倒的な力が感じられます。残された塗料の跡から、かつては豊かに彩色されていたことが分かっています。聖母は朱色のカフスのある緑色の内衣と瑠璃色のベールを着用し、聖子は赤い内衣の上に黄色の衣を着ていました。書物の表紙は青く、側面は白と黒でした。聖母の引き伸ばされた顔と着衣は、オータンのサン・ラザール大聖堂にある彫刻の様式に通じるものがあります。

Artwork Details

Object Information
  • 題: 王座の聖母子像
  • 月日: 1130–40年
  • 地理: ブルゴーニュ
  • 文化: フランス
  • 手法: カバノキ、塗料とガラス
  • 寸法: 高さ102.9 cm
  • 提供者: クロイスターズ・コレクション、1947年
  • 受け入れ番号: 47.101.15
  • Curatorial Department: Medieval Art and The Cloisters

Audio

以下でのみ利用可能: English
Cover Image for Enthroned Virgin and Child

Enthroned Virgin and Child

Gallery 4

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This image of the Virgin is regal and imposing: she wears a crown and sits on a throne. She also functions as a throne for her son; this is a visual expression of a theological concept—the Virgin as the seat of wisdom, the support for Christ himself. Devotion to the Virgin was an important aspect of Christianity in the European middle ages; this is the reason why we see her in so many works of art. This statue's majesty comes in part from its boldly stylized quality. Look at the relationship between the body and the garments, and the linear patterns that describe the cloth; there's a rhythmic arrangement of curves in the lower legs, and in the mantle on the Virgin's shoulders. Her face, with its large features and inlaid eyes, is powerful indeed, and her hands look strong too as they hold the Child. This statue is carved of wood, but sculptors in stone used a similar style, particularly in Burgundy around 1130.

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