“As I warmed up to this work, I realized that a work can be inscrutable and you can still love it.”
Curator Ian Alteveer on Jasper Johns’s 1955 painting White Flag.
“As I warmed up to this work, I realized that a work can be inscrutable and you can still love it.”
Curator Ian Alteveer on Jasper Johns’s 1955 painting White Flag.
Photography by Karin L. Willis
Art © Jasper Johns/Licensed by VAGA, New York, NY
A selection of the artist's prints candidly portrays the experience of women during periods of political oppression.