바랑주빌 룸

ca. 1736–52, with later additions
On view at The Met Fifth Avenue in Gallery 525
내장재나 나무 패널에 새겨진 멋진 새긴 무늬는 부분적으로 고부조를 한 것으로, 이 방에서 가장 아름다운 것이라 여겨집니다. 내장재나 나무 패널은 원래 18세기 파리의 사택 중 하나인 바랑주빌 호텔에 있었으며, 바랑주빌 호텔은 비록 많이 개조되었지만 여전히 생제르맹 217번가에 있습니다.채색되고 도금된 참나무 판자가 C 스크롤, S 스크롤, 꽃의 잔가지, 로카유 주제로 화려하게 장식되어 있으나 그 장식은 아직도 주로 대칭적이기 때문에 완전한 로코코 스타일을 대표하지는 않습니다. 트로피는 음악, 원예, 군사적 명예, 고귀한 영광과 같은 개념 및 특성을 암시하며 거울과 벽 칸막이의 두루마리 테두리에 앉아 있는 목이 긴 새들은 이국풍에 대한 당대의 관심을 반영합니다.

Artwork Details

Object Information
  • 제목: 바랑주빌 룸
  • 연대: 1736 – 52년경 (추후 증축)
  • 지리: 파리
  • 크기: 5.58 × 7.07 × 12.36m
  • 크레디트 라인: 매입, 찰스 라이츠먼 부부 기증, 1963
  • 작품 번호: 63.228.1
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

다음에서만 사용 가능: English
Cover Image for 2275. Overview: Varengeville Room, Part 1

2275. Overview: Varengeville Room, Part 1

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NARRATOR: This palatial reception room epitomizes the start of the glorious era of French Rococo. This ornate style of great delicacy and refinement flourished in the mid-eighteenth century, while Louis XV was King. And some of the Museum’s most extraordinary objects from his reign are displayed here.

This opulent painted and gilded paneling once decorated the walls of the Hôtel de Varengeville, a grand townhouse in Paris. Its exuberant high-relief carving typifies early Rococo décor. The term derives from rocaille and coquillage, or decoration with irregularly shaped stones and shells. And here are such characteristic motifs as swirling S-scrolls, palmettes, and sprays of foliage. Curator Danïelle Kisluk-Grosheide.

DANIËLLE KISLUK-GROSHEIDE: Particularly noteworthy are the birds on either side of the top of the mirrors and at the top of the panels, with their necks sticking out quite three-dimensional, away from the background.

NARRATOR: Mirrors—a highly expensive commodity—punctuate the white-and-gold paneling. They serve to reflect limited light, as well as expand the sense of objects and space. Not everyone was smitten with Rococo interiors. To hear more, press play.

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