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[Still Life]

1850
Not on view
Severed, preserved, and propped on a table, this bovine head seems to hover before the photographer’s lens, though it was actually held in place by elaborate rigging. Louis-Rémy Robert trained as a painter and his carefully staged composition adapts earlier still life
traditions for the camera. He began making photographs in 1848 and worked exclusively from paper negatives—a method then popular in France. A chemist for the Sèvres porcelain manufacture, he conducted experiments in the factory’s laboratory, testing new methods of coating his negatives to accentuate their clarity and contrast.

Artwork Details

Object Information
  • Title: [Still Life]
  • Artist: Louis-Rémy Robert (French, 1810–1882)
  • Date: 1850
  • Medium: Paper negative
  • Dimensions: Sheet: 10 5/8 × 7 3/8 in. (27 × 18.7 cm)
    Image: 10 3/8 × 7 1/16 in. (26.4 × 18 cm)
  • Classification: Negatives
  • Credit Line: Gilman Collection, Purchase, Anonymous Gifts, by exchange, 2005
  • Object Number: 2005.100.877
  • Curatorial Department: Photographs
More Artwork
Romesnil, Louis-Rémy Robert  French, Salted paper print from paper negative
Louis-Rémy Robert
1850–55
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century
[The Oriel Window, South Gallery, Lacock Abbey], William Henry Fox Talbot  British, Paper negative
William Henry Fox Talbot
probably 1835
Alfred Thompson Gobert, Louis-Rémy Robert  French, Salted paper print from paper negative
Louis-Rémy Robert
1849–55
Édouard Manet, Seated, Holding His Hat, Edgar Degas  French, Graphite and black chalk
Edgar Degas
Sitter Edouard Manet
ca. 1868

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