Thomas Brook Simmons, Bunker Hill Tower, Los Angeles, California
In 1980 Sarah Charlesworth searched the archives of wire services and tabloid newspapers for pictures of falling figures. From a selection of seventy she rephoto-graphed seven of the grainy images and enlarged them to human scale; her subjects are transformed into semi-abstract shapes hovering in front of the grids of blurry windows. Each of Charlesworth's Stills (as the series was called) is unique and entitled with only the name of the subject, the building from which he or she fell, and the city; like tombstones, they declare only the facts, but not the manner, of the death.
The most obvious precedent for the Stills are Andy Warhol's paintings of suicide jumpers from two decades earlier, which famously literalized the numbing effect of incessant exposure to traumatic events as experienced through the mass media. Charlesworth's works, on the other hand, are individual encounters with the mysteries of fate: it is not surprising to learn that her actual inspiration was Thornton Wilder's The Bridge of San Luis Rey (1927), which chronicles a priest's search for meaning after witnessing the collapse of an ancient footbridge and the resulting deaths of five people.
The most obvious precedent for the Stills are Andy Warhol's paintings of suicide jumpers from two decades earlier, which famously literalized the numbing effect of incessant exposure to traumatic events as experienced through the mass media. Charlesworth's works, on the other hand, are individual encounters with the mysteries of fate: it is not surprising to learn that her actual inspiration was Thornton Wilder's The Bridge of San Luis Rey (1927), which chronicles a priest's search for meaning after witnessing the collapse of an ancient footbridge and the resulting deaths of five people.
Artwork Details
- Title: Thomas Brook Simmons, Bunker Hill Tower, Los Angeles, California
- Artist: Sarah Charlesworth (American, East Orange, New Jersey 1947–2013 Hartford, Connecticut)
- Date: 1980
- Medium: Gelatin silver print
- Dimensions: Frame: 199.7 x 106 cm (78 5/8 x 41 3/4 in.)
- Classification: Photographs
- Credit Line: Purchase, Charina Foundation Inc. Gift and The Buddy Taub Foundation Gift, Dennis A. Roach and Jill Roach, Directors, 2005
- Object Number: 2005.394
- Rights and Reproduction: The Estate of Sarah Charlesworth
- Curatorial Department: Photographs
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.