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Saint Lawrence

1619
Not on view
Cesi was an artist devoted to the Counter-Reformation belief, expressed most forcibly in the 1582 treatise of the Bolognese Cardinal Gabriele Paleotti, that the proper function of painting was the clear communication of a religious message. Like the Carracci brothers, Cesi reacted against the complexity and artificiality of much sixteenth-century painting and returned to the study of nature, beginning each work with careful drawings from the model and abstracting from these to create an ideal form. In his late works, however, such as this modello for an altarpiece of 1619, Cesi strove for an increasingly severe geometry and reductive purity that were far removed from the dramatic action and externalization of emotion characteristic of the Carracci.

Artwork Details

Object Information
  • Title: Saint Lawrence
  • Artist: Bartolomeo Cesi (Italian, Bologna 1556–1629 Bologna)
  • Date: 1619
  • Medium: Pen and brown ink, brush and brown wash; squared in black chalk
  • Dimensions: 11 3/16 x 7 3/16in. (28.4 x 18.2cm)
  • Classification: Drawings
  • Credit Line: Purchase, Charles and Jessie Price Gift, 2000
  • Object Number: 2000.495
  • Curatorial Department: Drawings and Prints
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Standing Pregnant Woman (Study for the Pregnant Virgin Mary), Bartolomeo Cesi  Italian, Red chalk, highlighted with white; squared in black chalk
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Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)  Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
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Amya Petitioning Faustus for the Custody of Saint Mamas, Jean Cousin the Elder  French, Pen and brown ink, brush and gray wash, heightened with white, over black chalk
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