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Jean-Louis-André-Théodore Géricault (1791–1824)

probably 1822 or 1823
On view at The Met Fifth Avenue in Gallery 809

In the early 1820s, Parisian critics were hard pressed to decide which young painter held greater promise, Vernet or his close friend—and friendly rival—Géricault. This work shows Géricault as a Romantic artist, a type that had recently come into being based on Lord Byron's example. He is depicted deep in thought and possibly suffering physically as well. It was probably painted when Géricault was stricken with the disease that claimed his life in 1824. In a lithograph made by Vernet in 1823, Géricault wears the same scarf on his head.

Artwork Details

Object Information
  • Title: Jean-Louis-André-Théodore Géricault (1791–1824)
  • Artist: Horace Vernet (French, Paris 1789–1863 Paris)
  • Date: probably 1822 or 1823
  • Medium: Oil on canvas
  • Dimensions: 18 5/8 x 15 1/8 in. (47.3 x 38.4 cm)
  • Classification: Paintings
  • Credit Line: Purchase, Gift of Joanne Toor Cummings, by exchange, 1998
  • Object Number: 1998.84
  • Curatorial Department: European Paintings
More Artwork
Portrait of a "Mamelouk", Horace Vernet  French, Oil on canvas
Horace Vernet
1810
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century
Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), Elisabeth Louise Vigée Le Brun  French, Oil on canvas
Elisabeth Louise Vigée Le Brun
1789
Sibylle, Camille Corot  French, Oil on canvas
Camille Corot
ca. 1870
Arab Warrior, Horace Vernet  French, Oil on canvas
Horace Vernet
ca. 1817–22

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