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Untitled

Al Loving American
1975–76
Not on view
In the early 1970s, Al Loving began to piece together dyed and painted strips of canvas and found fabric in search of a style that more effectively channeled his formal inheritance as a black artist. With its torn, shaggy edges and interwoven method of construction—evocative of the physics of weaving, quilting, or fraying strips of torn cloth—Untitled alludes to a distinctly African American craft tradition and translates it into the language of painted paper. Inspired by fabric accidentally stained by his daughter in his studio, Loving’s strips are washed, sprayed, and splashed with hot, synthetic hues evocative of the glowing palette then only recently afforded by advanced industrial invention. In 1974, Peter Schjeldahl wrote that Loving’s works seem "almost to be caught in the act of moving across the wall."

Artwork Details

Object Information
  • Title: Untitled
  • Artist: Al Loving (American, Detroit, Michigan 1935–2005 New York)
  • Date: 1975–76
  • Medium: Torn, painted papers between two Plexiglas sheets
  • Dimensions: 50 5/8 in. × 49 in. (128.6 × 124.5 cm)
  • Classification: Drawings
  • Credit Line: Gift of Mrs. Madeline Mohr, 1980
  • Object Number: 1980.574.3
  • Curatorial Department: Modern and Contemporary Art
More Artwork
Untitled, Al Loving  American, Acrylic on three joined canvases
Al Loving
1971
Gray and Brass, John Sloan  American, Oil on canvas, American
John Sloan
1907
The Block, Romare Bearden  American, Cut and torn pasted printed, colored and painted papers, metallic papers, graphite, porous-point pen, watercolor, gouache, and ink on Masonite
Romare Bearden
1971
Lady with Red Hair, Al Loving  American, Torn and pasted painted papers on white plastic
Al Loving
1979
Necklace, Meta Overbeck  American, Gold, emeralds, Montana sapphires, topazes, enamel, American
Meta Overbeck
Louis C. Tiffany
Manufacturer Tiffany & Co.
ca. 1914–15

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