English
DonateMembershipTickets

Allegorical thesis print with various figures, set in an architectural structure

After Francesco Nappi Italian
1608
Not on view
A classicizing architectural monument acts as a stage for eight allegorical characters placed to either side of the church doctor and theologian Thomas Aquinas, who appears in the niche at center. The coat of arms indicates that this print was used at a thesis defense dedicated to the Roman cardinal Giambattista Leni (1573–1627). Allegorical figures were well suited to thesis prints, as they presented students the challenge of identifying them via their attributes. The figures likely represent four virtues and four vices, but only Peace (far right), who stands on a flaming heart, is unequivocally identifiable. Indeed, the print’s iconographic ambiguities allowed it to be used with texts for at least two different thesis defenses.

Artwork Details

Object Information
  • Title: Allegorical thesis print with various figures, set in an architectural structure
  • Artist: Philippe Thomassin (French, Troyes 1562–1622 Rome)
  • Artist: After Francesco Nappi (Italian, Milan ca. 1565–1630 Rome)
  • Date: 1608
  • Medium: Engraving
  • Dimensions: Sheet (Trimmed): 13 1/4 × 17 11/16 in. (33.6 × 44.9 cm)
  • Classifications: Prints, Ornament & Architecture
  • Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
  • Object Number: 51.501.4833
  • Curatorial Department: Drawings and Prints
More Artwork
The Entombment, Philippe Thomassin  French, Engraving
Philippe Thomassin
After Federico Barocci
1589
Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
Christ Carrying the Cross, Martin Schongauer  German, Engraving
Martin Schongauer
ca. 1475–80
Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels, Philippe Thomassin  French, Engraving
Philippe Thomassin
After Giorgio Vasari
Publisher Giovanni Giacomo De Rossi
1611–12
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.