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The Nursery

Etcher Thomas Rowlandson British
Publisher Thomas Rowlandson British
May 10, 1802
Not on view
In this first print of a set of eight, a nursemaid ignores the infant in her care and drinks with a soldier who seems intent on seduction—lying helpless on the floor, the baby is soiled by a dog. Related text by Willyams, who also designed the image, proposes satirically that babies who are given to a wet nurse are much more likely to grow up healthy and strong than if carefull tended by loving parents.

"Then let the Child be early accustomed to every Species of Hardship and Inattention. Instead of being hushed into Quietness by the usual Means of Singing, Rocking, or lisping Nonsense, let it be encouraged in its natural and wholesome Propensity to Squalling, by impatient Chiding, passionate Slaps, and sly Pinches. Instead of lolling on the soft Lap of its sleek Nurse, let it sprawl on the hard Floor. Instead of being soothed by the Caresses of its doting mama, let it be clawed by the Cats, and licked by the Dogs; let it, in fine, be fashioned both bodily and mentally, according to the Laws and Customs of the Kitchen; and there is no Doubt that in a few Years (without the silly Interference of its Parents), the little Urchin will be perfectly fit for one of those Nurseries of Education, which promise, in large gold Characters, to rear the tender Plant to a more fertile Soil."

The author-designer was a university-educated lieutenant-colonel from Cornwall who also supplied supporting satirical text under the pseudonym Joel McCringer. Rowlandson, who etched the print, imbues the figures with his own characteristic elegance which does not disguise the dark human impulses being satirized.

Artwork Details

Object Information
  • Title: The Nursery
  • Series/Portfolio: A Compendious Treatise on Modern Education: Title and 8 plates
  • Etcher: Thomas Rowlandson (British, London 1757–1827 London)
  • Artist: After James Brydges Willyams (British, Cornwall 1772–1820 Truro, Cornwall)
  • Publisher: Thomas Rowlandson (British, London 1757–1827 London)
  • Date: May 10, 1802
  • Medium: Hand-colored etching
  • Dimensions: Sheet: 9 3/4 × 12 15/16 in. (24.8 × 32.9 cm)
    Plate: 8 7/8 × 10 7/8 in. (22.5 × 27.6 cm)
  • Classification: Prints
  • Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
  • Object Number: 59.533.851(2)
  • Curatorial Department: Drawings and Prints
More Artwork
Landscape with Figures on Horseback, Another Resting Under a Gnarled Tree, and a Cottage at Right Nestled in Trees, Thomas Rowlandson  British, Soft-ground etching and aquatint
Etcher Thomas Rowlandson
After Thomas Gainsborough
1784–88
On the Wharfe, Bolton Abbey, William Callow  British, Watercolor
William Callow
September 30, 1858
Nocturne: Palaces, James McNeill Whistler  American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
James McNeill Whistler
1879–80
A Fair – A Group of Gypsies – Men and Women in Rustic Clothes in Front of Two Makeshift Tents, Thomas Rowlandson  British, Etching
Etcher Thomas Rowlandson
After Francis Wheatley
1786
Stroh Violin, George Evans & Co.  English, Mahogany and aluminum, British
George Evans & Co.
first quarter 20th century

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