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Hanukkah lamp

1788
On view at The Met Fifth Avenue in Gallery 556
Small German silver Hanukkah lamps intended for the private use at home could either be hung on the wall or placed near a window. This type is known as the bench-shape lamp due to its rectangular form, free-standing on four feet, and ornately decorated lid. Manufactured in Berlin and Augsburg beginning in the mid-seventeenth century, this type of Hanukkah lamp became widespread. Although one of the smallest items of Judaica in the collection, the stylistic influences would document the broader Rococo aesthetic which was exceedingly popular in Europe throughout the eighteenth century and its Berlin interpretation under Frederick the Great. Characteristic C- and S-scrolls with blossoming floral arrangements form the overall design composition. While the patron is unknown, it was most likely commissioned for an affluent family in the Berlin Jewish community.

Artwork Details

Object Information
  • Title: Hanukkah lamp
  • Maker: August Ferdinand Gentzmer (German, 1758/9–1808)
  • Date: 1788
  • Culture: German, Berlin
  • Medium: Silver, embossed
  • Dimensions: confirmed: 6 7/16 × 6 5/8 × 3 1/4 in., 8oz. (16.4 × 16.8 × 8.3 cm, 226.822g)
  • Classifications: Judaica, Metalwork-Silver
  • Credit Line: Purchase, Manda and Albert Kalimian Gift, in honor of Sabrina and Daniel Kalimian, 2024
  • Object Number: 2024.516a, b
  • Curatorial Department: European Sculpture and Decorative Arts
More Artwork
St. Maurice (?), Pierre François Basan  French, Engraving
Possibly Pierre François Basan
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Hanukkah lamp, Silver, embossed and engraved, German, Hamburg
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Cabinet, Jean Brandely  French, Oak veneered with cedar, walnut, ebony and ivory; silvered-bronze mounts, French, Paris
Designer Designed by Jean Brandely
Woodwork by Charles-Guillaume Diehl
Mounts and large central plaque by Emmanuel Frémiet
1867
Old Woman with a Brazier, after Rubens, Pierre François Basan  French, Engraving
Pierre François Basan
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Baraffael Family Hanukkah Lamp, Gaspare Vanneschi  Italian, Silver, embossed, engraved, punched; soft wood back support, Italian, Rome
Gaspare Vanneschi
1773–75

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