The Temple of Dendur will be closed starting at 4 p.m. on Saturday, September 26.

Plan your visit
English
DonateMembershipTickets

The Etcher's Folio: A Publication Devoted to the Interest of American Etchers, and the Promotion of American Art, Parts 1-12

1884
Not on view
Brown covers with gold lettering. 12 monthly parts unbound. Each has a brown paper cover, a sheet of explanatory text that gives artist's names, titles and descriptions, and three etchings. The introduction to part 1 is dated December 1883, suggesting that the works were issued in 1884.
Part I:
Peter Moran, On the Neshamy Creek
Stephen James Ferris [after Schneyer], Ambush.
C. A. May, A Connoissuer.
Part II:
Gabrielle de Veaux Clements, A Pond by the Sea.
Albrecht Bernhard Uhle, The Veterans.
Frederick DeBourg Richards, The Old Windmill.
Part III:
Mary Nimmo Moran, Long Beach, York Harbor, Maine.
James David Smillie, South Jefferson Street, Poughkeepsie.
John Mackie Falconer, By the Sea.
Part IV:
Jean Leon Gerome Ferris, The Guards of the Harem.
Rominer Lovewell, An Old Blockade-Runner.
Edith Loring Peirce, The Overflow.
Part V:
John Hill Millspaugh, Low Tide in the Cove.
John M. Pope, The Reprimand.
Albion Harris Bicknell, Thatched Cottage near Fontainebleau, France.
Part VI:
John Hammond, Suspension Bridge at St. John, Near Brunswick.
Herman F. Deigendesch, The Capture of Ticonderoga.
George E. Hopkins, A Scene on the Grand Canal, Venice.
Part VII
Stephen James Ferris, "Palacio" of Mariano, of Granada, Spain, A Prince of the Gypsies.
William Henry Wallace, Foot of Broad Street, Old New York.
H. Francis Osborne, May Time.
Part VIII:
Eleazar Hutchinson Miller, Bridge over the Sligo.
John H. Bostwick, A Brilliant Sunset.
Frederick DeBourg Richards, Old Stone Bridge on Pickering Creek, Chester County, Pa.
Part IX:
Charles Volkmar, Having a Jolly Time.
Willem Cornelis Bauer, Green Brook, New Jersey.
Robert R. Wiseman, An Amateur Etcher.
Part X:
Eleazar Hutchinson Miller, Idle Hours.
Jean Leon Gerome Ferris, Spanish Girl Water-Carrier of Granada.
Christopher High Shearer, A November Day.
Part XI:
Margaret White Lesley, Market Day in Dives, Normandy.
J. Henry Hill, Lake George, from Bolton.
C. A. May, A Jovial Monk [Casanova].
Part XII:
Samuel Colman, An Old Mill at Wainscott, L.I.
Clarence Augustus Worrall, Source Charmeuse.
Christopher High Shearer, An Old Rhenish City.

Artwork Details

Object Information
  • Title: The Etcher's Folio: A Publication Devoted to the Interest of American Etchers, and the Promotion of American Art, Parts 1-12
  • Publisher: Janentzky & Co. (Philadelphia, Pennsylvania)
  • Artist: Peter Moran (American (born England), Bolton, Lancashire 1841–1914 Philadelphia, Pennsylvania)
  • Artist: Stephen James Ferris (American, 1835–1915)
  • Artist: C. A. May (American, active 1883–84)
  • Artist: Gabrielle de Veaux Clements (American, Philadelphia, Pennsylvania 1858–1948 Cape Ann, Massachusetts)
  • Artist: Albrecht Bernhard Uhle (German, Chemnitz 1847–1930 Chemnitz)
  • Artist: Frederick DeBourg Richards (American, 1822–1903)
  • Artist: Mary Nimmo Moran (American (born Scotland), Strathaven 1842–1899 East Hampton, New York)
  • Artist: James David Smillie (American, New York 1833–1909 New York)
  • Artist: John Mackie Falconer (American, Edinburgh 1820–1903 New York)
  • Artist: Jean Leon Gerome Ferris (American, Philadelphia, Pennsylvania 1863–1930 Philadelphia, Pennsylvania)
  • Artist: Rominer Lovewell (American, Gardner, Massachusetts 1853–1932 Everett, Massachusetts)
  • Artist: Edith Loring Peirce (American, Bristol, Pennsylvania 1855–1940 Worcester, Massachusetts)
  • Artist: John HIll Millspaugh (American, Crawford, New York 1822–1894)
  • Artist: John M. Pope (American, active 1882–84)
  • Artist: Albion Harris Bicknell (American, Turner, Maine 1837–1915 Malden, Massachusetts)
  • Artist: John A. Hammond (Canadian, Montreal 1843–1939 Sackville, New Brunswick)
  • Artist: Herman F. Deigendesch (American, 1858–1921)
  • Artist: George E. Hopkins (American, Covington, Kentucky 1855–1924)
  • Artist: William Henry Wallace (American, Brooklyn 1838–1929)
  • Artist: H. Francis Osborne (American, 1883–90)
  • Artist: Eleazar Hutchinson Miller (American, Shpherdstown, West Virginia 1831–1921 Washington DC)
  • Artist: John H. Bostwick (American, 1860–1947)
  • Artist: Charles Volkmar (American, Baltimore, Maryland 1841–1914 Metuchen, New Jersey)
  • Artist: Willem Cornelis Bauer (Dutch, The Hague 1862–1901 Hilversum)
  • Artist: Robert R. Wiseman (American, active from 1875)
  • Artist: Christopher High Shearer (American, Reading, Pennsylvania 1846–1926 Reading, Pennsylvania)
  • Artist: Margaret White Lesley (American, Philadelphia, Pennsylvania 1857–1944)
  • Artist: J. Henry Hill (American, 1839–1922)
  • Artist: Samuel Colman (American, Portland, Maine 1832–1920 New York)
  • Artist: Clarence Augustus Worrall (American, Lewistown, Pennsylvania 1858–1920 Asheville, North Carolina)
  • Date: 1884
  • Medium: Etching
  • Dimensions: Cover: 20 1/2 × 15 3/8 in. (52 × 39 cm)
    Sheet: 19 1/2 × 14 15/16 in. (49.5 × 37.9 cm)
  • Classification: Portfolios
  • Credit Line: Museum Accession
  • Object Number: Museum Accession.27
  • Curatorial Department: Drawings and Prints
More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.