Chroma: Sculpture in Color from Antiquity to Today

Hemingway, Séan, Sarah Lepinsky, Vinzenz Brinkmann, with contributions from various authors
2025
260 pages
294 illustrations
8.5 x 10 in
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Many ancient and early modern works that are viewed in monochrome today were once painted in vibrant colors. Lost to time until recently, the pigments and other surface treatments that originally adorned these objects offer a deeper appreciation of the cultures from which they originate. This handsome volume features new research by more than thirty international experts in polychromy, including art historians, conservators, scientists, and photographers. Identified through advanced technologies, scientific analyses, and in-depth research, their discoveries of surviving traces of color span the globe and vary in material, including an Archaic Greek marble sphinx, an ancient Phoenician cloisonné furniture plaque, Mexica (Aztec) lime-stone sculptures, and medieval and Renaissance European marbles and bronzes. This wide-ranging publication explores how these works further our understanding of ancient ideas around skin color, race, and gender; summarizes recent advances in the field; and considers polychromy’s controversial rediscovery and modern reception— highlighting the role of reconstructions such as 3D-printed replicas and virtual animations in contemporary museum practice as well as the resurgence of polychromy techniques in postmodern and contemporary European architecture.

Marble capital and finial in the form of a sphinx, Marble, Parian, Greek, Attic
Greek, Attic
ca. 530 BCE
Marble statue of a kouros (youth), Marble, Naxian, Greek, Attic
Greek, Attic
ca. 590–580 BCE
Fragment of a terracotta calyx-krater (mixing bowl), Black Fury Painter, Terracotta, Greek, South Italian, Apulian
Black Fury Painter
ca. 400–380 BCE
Marble and limestone statue of an attendant, Marble and limestone, Greek, South Italian, Tarentine
Greek, South Italian, Tarentine
late 4th or 3rd century BCE
Marble head of a deity wearing a Dionysiac fillet, Marble, Roman
Roman
ca. 14–68 CE
Terracotta column-krater (bowl for mixing wine and water), Group of Boston 00.348, Terracotta, Greek, South Italian, Apulian
Group of Boston 00.348
ca. 360–350 BCE
Carnelian ring stone, Carnelian, Roman
Roman
ca. 1st–3rd century CE
Paris, Antico (Pier Jacopo Alari Bonacolsi)  Italian, Bronze, partially fire-gilt, silver inlay, Italian, Mantua
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1518–1524
La Jeunesse, Herbert Adams  American, Applewood, marble, paste jewels, and twisted wire, American
Herbert Adams
ca. 1894; carved ca. 1899–1900
Terracotta statuette of a seated woman, Terracotta, Greek, probably Boeotian
Greek, probably Boeotian
late 6th–early 5th century BCE
Marble funerary lekythos, Marble, Pentelic ?, Greek, Attic
Greek, Attic
ca. 375–350 BCE
Marble head of a horse, Marble, Greek, Attic
Greek, Attic
2nd half of 6th century BCE
Statuette of a standing goddess, terracotta, Greek, Boeotian
Greek, Boeotian
ca. 525–500 BC
Relief fragment with feather pattern, Limestone, paint
ca. 2040–1300 B.C.
Terracotta loutrophoros (ceremonial vase for water), Terracotta, Greek, Attic
Greek, Attic
late 6th century BCE
Terracotta neck-amphora (jar), Exekias, Terracotta, Greek, Attic
Exekias
ca. 530 BCE
Terracotta kylix (drinking cup), Onesimos, Terracotta, Greek, Attic
Onesimos
ca. 490 BCE
Terracotta oinochoe (jug) in the form of a Black African's head, Terracotta, Greek, Attic
Greek, Attic
ca. 480 BCE
Terracotta aryballos (oil flask) in the form of two Black African heads, Terracotta, Greek, Attic
Greek, Attic
late 5th century BCE
Terracotta rhyton (vase for libations or drinking), Terracotta, Greek, South Italian, Apulian
Greek, South Italian, Apulian
ca. 350–300 BCE
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Hemingway, Seán, Sarah Lepinski, and Vinzenz Brinkmann, eds. Chroma: Sculpture in Color from Antiquity to Today. Metropolitan Museum of Art Symposia. New York: The Metropolitan Museum of Art, 2025.