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Eighteenth-Century Italian Drawings in The Metropolitan Museum of Art

Eighteenth-Century Italian Drawings in The Metropolitan Museum of Art

Bean, Jacob, and William Griswold
1990
280 pages
308 illustrations
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Preface

Works Cited in Abbreviated Form

Notices and Illustrations

Index of Former Collections

Concordance

Index of Artists

An Artist and His Model, Felice Giani  Italian, Pen and brown ink, brush and brown wash, highlighted with white, on gray-brown washed paper
1778–1823
The Annunciation, Antonio Gionima  Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
ca. 1731
The Virgin and Child Appearing to Saint Agatha and Saint Lucy, Nicola Grassi  Italian, Red chalk; framing lines in pen and brown ink
1682–1750
The Holy Family, Gaetano Gandolfi  Italian, Red chalk, highlighted with white, on beige paper
1734–1802
The Royal Family of Troy Mourning the Death of Hector, Gaetano Gandolfi  Italian, Black chalk
1734–1802
Saint John Nepomucen Venerating a Crucifix, Gaspare Diziani  Italian, Pen and black ink, brush and gray wash, over traces of black chalk. Lined
1689–1767
Manius Curius Dentatus Refusing the Presents of the Samnite Ambassadors, Fedele Fischetti  Italian, Brush and black, gray, and white gouache, on paper prepared with gray-brown gouache
1732–92
Reclining Male Nude (recto); Seated Male Nude (verso), Ubaldo Gandolfi  Italian, Red chalk, highlighted with white (recto); red and black chalk, highlighted with white (verso)
1728–81
Seated Male Nude, Ubaldo Gandolfi  Italian, Red chalk, highlighted with white
1728–81
A Dying Ecclesiastic Supported by an Angel, Gaetano Gandolfi  Italian, Pen and brown ink, brush and gray wash, over traces of black chalk
1760–70
Scene from Ancient History, Giuseppe Piattoli  Italian, Pen and brown ink, brush and brown wash, over black chalk.  Framing lines in pen and brown ink at left, upper, and right margins
1785–1807
Sheet of Studies: Five Angels (recto); Youth in Clerical Robes and Other Studies (verso), Giovanni Battista Tiepolo  Italian, Pen and brown ink, brush and brown wash (recto), pen and brown and black ink (verso)
1696–1770
Marine Deity with Attendant Female Figure, Giovanni Battista Tiepolo  Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk
1696–1770
Design for a Ceiling (recto); Bearded Man Standing (verso), Giovanni Battista Tiepolo  Italian, Pen and brown ink, brush and brown wash, over black chalk (recto); brush and brown wash, over black chalk (verso)
1696–1770
The Sword of Damocles, Giuseppe Piattoli  Italian, Pen and brown ink, brush and  brown wash
1785–1807
Hercules and Omphale, Gaspare Diziani  Italian, Pen and brown ink, brush and brown wash, over red chalk; squared in black chalk
1689–1767
Studies of Nude Men, Nicola Grassi  Italian, Red chalk
1682–1750
Adoration of the Magi, Ercole Graziani the Younger  Italian, Black chalk, stumped, highlighted with white, on beige paper
1688–1765
The Feast of Belshazzar, Antonio Gionima  Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brownish paper
1697–1732
The Virgin Entrusting the Christ Child to Saint Francis of Assisi, Gaspare Diziani ? Italian, Two sheets of paper joined horizontally above center: pen and brown ink, brush and gray wash, over red chalk and lead or graphite (bottom sheet);   brush and gray wash, over red chalk (top sheet)
1689–1767
Showing 20 of 282

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Bean, Jacob, and William Griswold. 1990. 18th Century Italian Drawings in the Metropolitan Museum of Art. New York: the Metropolitan museum of art Harry N. Abrams.