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"Picturing the Apocalypse: Illustrated Leaves from a Medieval Spanish Manuscript": The Metropolitan Museum of Art Bulletin, v. 59 no. 3 (Winter, 2002)
THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 59 | NUMBER 3

"Picturing the Apocalypse: Illustrated Leaves from a Medieval Spanish Manuscript"

Lawson, Margaret, and William D. Wixom
2002
56 pages
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WIlliam Wixom

Margaret Lawson

Met Art in Publication

Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists, Ivory, South Italian
1000–1050
Lion, Fresco, mounted on canvas, Spanish
after 1200
The Cloisters Apocalypse, Tempera, gold, silver, and ink on parchment; later leather binding, French
ca. 1330
Sculpture of a Wise Man (from a Group with the Adoration of the Magi), Limestone, Spanish
ca. 1175–1200
Virgin and Child (from an group with the Adoration of the Magi), Limestone, Spanish
ca. 1175–1200
Falcon, Bronze, traces of gilding, South Italian
ca. 1200–1220
Valve of a Mirror Case, Bronze gilt, British
1180–1200
Leaf from a Beatus Manuscript: Christ in Majesty with Angels and  the Angel of God Directs Saint John to Write the Book of Revelation, Tempera, gold, and ink on parchment, Spanish
ca. 1180
Leaf from a Beatus Manuscript: the Sixth Angel Delivers the Four Angels that had been Bound at the River Euphrates; an Altar Appears in the Heavens as the Enthroned Christ Raises His Hand in Blessing, Tempera, gold, and ink on parchment, Spanish
ca. 1180
Panel with Byzantine Ivory Carving of the Crucifixion, Silver-gilt with pseudo-filigree, glass, crystal, and sapphire cabochons, ivory on wood support, Byzantine (ivory); Spanish (setting)
10th century (ivory); late 11th century (setting)
Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a Book, Tempera, gold, and ink on parchment, Spanish
ca. 1180
Plaque with the Journey to Emmaus and Noli Me Tangere, Ivory, traces of gilding, Spanish
ca. 1115–20

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