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The Orientation of Hieroglyphs. Part 1, Reversals

The Orientation of Hieroglyphs. Part 1, Reversals

Fischer, Henry George
1977
160 pages
127 illustrations
9.5 x 12.5 in
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Egyptian hieroglyphic inscriptions usually face right and read from right to left. This volume in The Met’s Egyptian Studies series offers an in-depth examination of when this orientation might be reversed. The publication covers the subject throughout Egyptian art history and is illustrated with more than 120 examples rendered as detailed, high contrast line drawings. Author Henry George Fischer illuminates the logic behind these reversals, establishing the indelible connection between Egyptian art and writing. A key resource for specialists, this book aims to provide a greater understanding of hieroglyphs and the objects on which they are inscribed.

Coffin of Khnumnakht, Wood, paint
ca. 1850–1750 B.C.
Tomb Chapel of Raemkai, Limestone, paint
ca. 2446–2389 BCE
Model of a procession of offering bearers, Plastered and painted wood, linen
ca. 1981–1975 B.C.
Hair Comb Decorated with Rows of Wild Animals, Ivory
ca. 3200–3100 BCE
Statuette of Kary carrying a standard of Horus, Wood
ca. 1290–1224 BCE
Khonsu pendant, Gold
ca. 1300–1080 BCE
Linen marks from the wrappings of Henhenet's mummy, Linen
ca. 2051–2030 B.C.
Shouldered jar with two lugs, Limestone breccia
ca. 3650–3300 BCE
Doorjamb from a Temple of Ramesses II, Granite
ca. 1290–1224 BCE
Molded Vessel in the Form of a Mother and Child, Stonepaste; molded, painted under transparent turquoise glaze
12th–13th century
Figure of a Dromedary, Stonepaste; underglaze painted
12th–13th century
Carved handle of a ceremonial knife, Ivory
ca. 3200 BCE
Dagger handle (with 22.3.75b), Wood
ca. 1580–1479 BCE
Dagger handle (with 22.3.75a), Wood
ca. 1580–1479 BCE
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Fischer, Henry George. The Orientation of Hieroglyphs: Part I. Reversals. Egyptian Studies II. The Metropolitan Museum of Art, 1977.