A Conversation on Karl Bodmer: North American Portraits

This conversation focuses on Bodmer’s exceptionally detailed portraits of Omaha, Mandan, Hidatsa, Blackfoot, and other Plains nations peoples and the impact of the portraits on their communities.

Gerard Baker, (Mandan/Hidatsa), Assistant Director, American Indian Relations, National Park Service (Retired)
Annika Johnson, Associate Curator of Native American Art, Joslyn Art Museum
Patricia Marroquin Norby, (Purépecha), Associate Curator of Native American Art, The Met
Scott Manning Stevens, (Akwesasne Mohawk Nation), Associate Professor of Native American and Indigenous Studies, Associate Professor of English, and Director, Native American and Indigenous Studies Program, Syracuse University

Join experts for a conversation about Karl Bodmer’s exceptionally detailed portraits of Omaha, Mandan, Hidatsa, Blackfoot, and other Plains nations peoples and the impact of the portraits on their communities. Please note: This program is prerecorded.

Presented in conjunction with the exhibition Karl Bodmer: North American Portraits.
https://www.metmuseum.org/exhibitions/listings/2021/karl-bodmer-north-american-portraits

Captioning is made possible by the Ruth Lapham Lloyd Trust.

Subscribe for new content from The Met: https://www.youtube.com/user/metmuseum?sub_confirmation=1

#TheMet #Art #TheMetropolitanMuseumofArt #Museum

© 2021 The Metropolitan Museum of Art


Contributors

Gerard Baker
(Mandan/Hidatsa), Assistant Director, American Indian Relations, National Park Service (Retired)
Annika Johnson
Associate Curator of Native American Art, Joslyn Art Museum
Patricia Marroquin Norby
Associate Curator of Native American Art, the American Wing
Scott Manning Stevens
(Akwesasne Mohawk Nation), Associate Professor of Native American and Indigenous Studies, Associate Professor of English, and Director, Native American and Indigenous Studies Program, Syracuse University

Nilda Callañaupa Alvarez looks at a weaving in the Arts of the Ancient Americas textile gallery
Audio
“For me, living and producing textiles goes along with your life, along with your age, along with your everyday activity, that's why it is a living art, it’s not a piece that's from the past.”
July 14
Porcelain figurine depicting an 18th-century scene with a servant holding a tray of cups and a seated aristocratic woman in floral attire, against a blue background.
How did eighteenth-century European art subtly obscure Black labor and promote subjection?
Adrienne L. Childs
July 1
More in:Native American and Indigenous HeritageIdentityOn View