Connections: Country

Paper conservator Valerie Faivre brings a French perspective on country scenes, scenes which are disappearing as more and more land is developed.

September 26, 2011

4 min. watch

"I feel strongly rooted to my region. I know the land and I know the people."

Paper conservator Valerie Faivre brings a French perspective on country scenes, scenes which are disappearing as more and more land is developed.

More from The Met

A Medieval Imagination

Discover how American sculptor George Grey Barnard’s fascination with medieval European art inspired an enterprising collection and the eventual foundation of The Met Cloisters.

Shirin Fozi and Julia Perratore

November 13

Nonconformist Spirits

How did Man Ray and Marcel Duchamp engender mutual growth in their radical art?

Dawn Ades

October 10

More Than a Muse

Discover Kiki de Montparnasse’s abiding influence on Man Ray’s photographic practice.

Mark Braude

October 10

More in:ConnectionsNatureIdentityOn View

Art Mentioned

A slider containing 20 items.
Press the down key to skip to the last item.

High Point: Shandaken Mountains, Asher Brown Durand American, Oil on canvas, American — High Point: Shandaken Mountains
Asher Brown Durand
1853

Landscape, Henri-Edmond Cross (Henri-Edmond Delacroix) French, Watercolor and crayon on paper — Landscape
Henri-Edmond Cross (Henri-Edmond Delacroix)
ca. 1904

Landscape, Camille Pissarro French, Watercolor over black chalk — Landscape
Camille Pissarro
second half 19th century

Landscape, Constant Troyon French, Watercolor — Landscape
Constant Troyon
1825–65

Landscape (recto); Landscape (verso), Perugino (Pietro di Cristoforo Vannucci) Italian, Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso) — Landscape (recto); Landscape (verso)
Perugino (Pietro di Cristoforo Vannucci)
1489–90

Mont Sainte-Victoire and the Viaduct of the Arc River Valley, Paul Cézanne French, Oil on canvas — Mont Sainte-Victoire and the Viaduct of the Arc River Valley
Paul Cézanne
1882–85

Fontainebleau: Oak Trees at Bas-Bréau, Camille Corot French, Oil on paper, laid down on wood — Fontainebleau: Oak Trees at Bas-Bréau
Camille Corot
1832 or 1833

A Woman Gathering Faggots at Ville-d'Avray, Camille Corot French, Oil on canvas — A Woman Gathering Faggots at Ville-d'Avray
Camille Corot
ca. 1871–74

The Deer, Gustave Courbet French, Oil on canvas — The Deer
Gustave Courbet
ca. 1865

The Source of the Loue, Gustave Courbet French, Oil on canvas — The Source of the Loue
Gustave Courbet
1864

View of Ornans, Gustave Courbet French, Oil on canvas — View of Ornans
Gustave Courbet
probably mid-1850s

The Flowering Orchard, Vincent van Gogh Dutch, Oil on canvas — The Flowering Orchard
Vincent van Gogh
1888

Haystacks: Autumn, Jean-François Millet French, Oil on canvas — Haystacks: Autumn
Jean-François Millet
ca. 1874

Woman with a Rake, Jean-François Millet French, Oil on canvas — Woman with a Rake
Jean-François Millet
probably 1856–57

A Cowherd at Valhermeil, Auvers-sur-Oise, Camille Pissarro French, Oil on canvas — A Cowherd at Valhermeil, Auvers-sur-Oise
Camille Pissarro
1874

Two Young Peasant Women, Camille Pissarro French, Oil on canvas — Two Young Peasant Women
Camille Pissarro
1891–92

Côte des Grouettes, near Pontoise, Camille Pissarro French, Oil on canvas — Côte des Grouettes, near Pontoise
Camille Pissarro
probably 1878

The Road from Versailles to Louveciennes, Alfred Sisley British, Oil on canvas — The Road from Versailles to Louveciennes
Alfred Sisley
probably 1879

Young Ladies of the Village, Gustave Courbet French, Oil on canvas — Young Ladies of the Village
Gustave Courbet
1851–52

The Harvest, Pontoise (La Récolte, Pontoise), Camille Pissarro French, Oil on canvas — The Harvest, Pontoise (La Récolte, Pontoise)
Camille Pissarro
1881