Otto Dix wanted to capture the essence of a person, no matter how negative

"He had such a clinical, nearly satirist viewpoint."

"He had such a clinical, nearly satirist viewpoint."

Curator Sabine Rewald on a portrait by Otto Dix.

Explore this object:
https://www.metmuseum.org/art/collection/search/485934

Throughout 2013, The Met invited curators from across the Museum to each talk about one artwork that changed the way they see the world. Each episode is interpreted by a Museum photographer.

Photography by Mark Morosse

© 2011 Artists Rights Society (ARS), New York

Subscribe for new content from The Met: https://www.youtube.com/user/metmuseum?sub_confirmation=1

#TheMet #ArtExplained #Art


Contributors

Sabine Rewald
Jacques and Natasha Gelman Curator, Department of Modern and Contemporary Art

Female figure with long, dark hair and blue skin stands assertively, eyes wide and tongue out. Her multiple arms hold a sword and severed head, and she wears a necklace and belt of body parts.
Wrathful images of the divine in South Asia are meant to protect and nurture, not to be feared.
Vaishnavi Patil
March 9
Pop art portrait of a woman with bright orange hair, turquoise skin, pink lips, and lavender eyeshadow on a pink background.
How do works in The Met collection trace the shifting associations of blonde glamour in Western art?
Lynda Nead
February 2
A small wooden carved box featuring figures and a tree in relief.
The author of After Sappho offers a queer feminist reading of Eve and the serpent, reimagining sin as likeness, desire, and bodies transcending gender and species.
Selby Wynn Schwartz
January 9
More in:82nd and Fifth: Art ExplainedPortraiture

A slider containing 1 items.
Press the down key to skip to the last item.