Meet @atangtshikare—one of the many contemporary artists whose work is featured in “Before Yesterday We Could Fly: An Afrofuturist Period Room.”
Atang Tshikare’s design process is one of self-exploration, motivated by the desire to allow Indigenous knowledge to surface what has been obscured by centuries of colonization.
Using materials native to South Africa, such as wood and grasses, and techniques passed down from his grandmother, such as charring and weaving, Tshikare reimagines a pair of 18th-century #fauteuils—a type of upholstered French chair introduced during colonization—as a means of reclaiming #Tswana culture from European colonial power.
Leifo, meaning “fireplace” in the Sotha language, suggests that these chairs are meant to be placed in front of a hearth. The brass beading combines astrological constellations with Zulu pictograms to resemble fire sparks.
Take a virtual tour of the exhibition: https://youtu.be/A_1QbBQ5pag
Learn more about the space and explore all the artworks on view: https://www.metmuseum.org/exhibitions/listings/2021/afrofuturist-period-room
#MetAfrofuturist
Production Credits:
Managing Producer: Kate Farrell
Producer: Melissa Bell
Editor: Lela Jenkins
Graphic Design: Abby Chen
Music: Austin Fisher
Photographs: Paul Lachenauer
Special thanks:
Atang Tshikare, Sarah Lawrence, Ian Alteveer, Ana Matisse Donefer-Hickie, Claire Lanier, Victoria Martinez, Sofie Andersen
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© 2022 The Metropolitan Museum of Art
Meet the Artists: Atang Tshikare
Meet Atang Tshikare, one of the many contemporary artists whose work is featured in "Before Yesterday We Could Fly: An Afrofuturist Period Room."
2 min. watch
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