kitchen blooks

Together While Apart: Engagement in the Time of Coronavirus

Kitchen blooks

Kitchen “blooks” from the collection of Mindell Dubansky. Photo by Mindell Dubansky

There are one million reasons to miss Watson Library since it’s closure on March 13 due to the COVID-19 pandemic (and not just each of the one million volumes in the library’s collection). An aspect that is often referenced as most missed by patrons and staff alike is the sense of community. On a typical day in a typical year, Watson Library is a place in which keen minds meet, ideas and stories are shared, old friends cross paths, and new kindred spirits are introduced. When the Museum closed on March 13, library staff were faced with an overarching challenge: how to recreate a space that encourages curiosity and serves as a haven for learning, research, and scholarship in the virtual realm.

In addition to moving public facing aspects of librarianship such as reference assistance, instruction, and increased collection access to digital collections, Watson was among the first departments at the Museum to offer virtual programming for library supporters and volunteers. Within three weeks of the Museum’s closure, Watson staff had answered an internal call for program proposals with overwhelming enthusiasm and a wide range of suggestions for lectures. Eleven talks, to be delivered via Zoom, were put on the calendar for April.

While New York was on pause throughout the spring and summer, the Watson community tuned in two, sometimes three times a week, to listen to and learn from library staff in a total of thirty virtual programs. From the safety of our homes, we followed Mindell Dubansky on a whirlwind tour of book-objects, known as “blooks,” with the unique opportunity for access to Dubansky’s distinct and uniquely personal collection, providing insights we would not have heard were she not speaking from home.

Tea caddy book

19th-century tea caddy and lunch box “blook” from the collection of Mindell Dubansky. Photo by Mindell Dubansky

Two days later, Holly Phillips presented on treasures from the library’s growing collection of Judaica, highlighting a range of volumes from the fourteenth-century Barcelona Haggadah facsimile and theeighteenth-century Megillat Esther from the Gross family collection, to poignant works created by artists documenting the Holocaust.

Barcelona haggadah

Barcelona Haggadah (London: Facsimile Editions, 1992). Photo courtesy of Holly Phillips

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Megillat Esther: From the Gross Family Collection (London: Facsimile Editions, 2007). Shown here is one of @metlibrary’s most popular Instagram posts to date

Together we explored zines and DIY print culture, examined Josef Albers’s Interaction of Color, and observed Japanese bookbinding and paper-making demonstrations. We took virtual trips to the great libraries of Venice, Havana, and Marrakech, and to a workshop on luxury French Romanesque binding in the medieval town of Montefiascone.

research library of the Musée Yves Saint Laurent Marrakech

The research library of the Musée Yves Saint Laurent Marrakech. Photo by Melissa Raymond

books on a shelf

Shelfie from the research library of the Musée Yves Saint Laurent Marrakech. Photo by Melissa Raymond

Later on, we expanded our reach and hosted talks on Watson Library’s Paper Legacy Project and African-American Artists Project, and we also moved our traditional Acquisition Highlights event from the Florence and Herbert Irving Reading Room to a webinar for over two hundred artists, scholars, Met staff members, and friends in the field.

marbled paper

Marbled paper by Laura Sims. Image courtesy of Mindell Dubansky and the Paper Legacy Project

Peggy Skycraft in her studio

Peggy Skycraft marbling in her studio. Photo courtesy of Mindell Dubansky and the Paper Legacy Project

samples of marbled paper

Peggy Skycraft’s paper samples. Photo courtesy of Mindell Dubansky and the Paper Legacy Project

images of Hycide magazine in the reading room

Issues of Hycide displayed for an event in Watson Library in May 2019. Jared Ash highlighted Hycide in his presentation on the African-American Artists Project. Photo by Jared Ash

Through staff commitment to teaching and patron dedication to learning, we found common comfort, enlightenment, and inspiration, helping each other through the first difficult months of self-isolation as we adjusted to the new normal. While many aspects of the future are uncertain, Watson Library is a constant. Together, as a community, we are present, engaged, and strong.

If you’re interested in virtual programs like these, consider joining the Friends of Watson Library, who get early access to this type of programing. Recordings of programs are forthcoming on the library’s website, so stay tuned for those!


Contributors

Sophia Alexandrov

Colorful record featuring portrait of a woman
Books with audio elements.
Ellie Ngo
March 19
Bronze Benin sculpture with a figure holding a book. The background is adorned with floral motifs
Watson Library’s contribution to the Digital Benin project via the Internet Archive.
Amy Hamilton
February 19
Cover of blook with a black and white photograph inlaid
The Dr. Lynn Geringer Heckman and Dr. Bruce Heckman Gift of Book Objects.
Mindell Dubansky
January 22
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