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Landmark Exhibition at The Met
to Focus on Medieval Armenia 

Exhibition Dates:  September 22, 2018–January 13, 2019
Exhibition Location:  The Met Fifth Avenue, First Floor, Gallery 199

Opening September 22 at The Metropolitan Museum of Art, Armenia! explores the arts and culture of the Armenians from their conversion to Christianity in the early fourth century through their leading role on international trade routes in the 17th century. The exhibition emphasizes how Armenians developed a distinctive national identity in their homeland at the base of Mt. Ararat (widely accepted as the resting place of Noah’s Ark) and how they maintained and transformed their traditions as their communities expanded across the globe.

More than 140 opulent gilded reliquaries, richly illuminated manuscripts, rare textiles, liturgical furnishings made of precious materials, khachkars (cross stones), church models, and printed books demonstrate Armenia’s distinctive imagery in their homeland and other major Armenian sites, from the Kingdom of Cilicia on the Mediterranean to New Julfa, in Safavid Persia. Select comparative works display Armenian interaction with other cultures.

Major Armenian repositories of their culture provide almost all the works in the exhibition. Most are on view in the United States for the first time; many have not traveled for centuries.

The exhibition is made possible by The Hagop Kevorkian Fund.  

Additional support is provided by the Carnegie Corporation of New York, the Michel David-Weill Fund, the Armenian General Benevolent Union, The Giorgi Family Foundation, The Hirair and Anna Hovnanian Foundation, the Karagheusian Foundation, The Nazar and Artemis Nazarian Family, the Ruddock Foundation for the Arts, The Strauch Kulhanjian Family and The Paros Foundation, Aso O. Tavitian, and the National Endowment for the Arts. 

Armenia! focuses on major Armenian centers of production from their homeland west and east. It includes images of Armenians, from self-portraits to depictions of male and female rulers, donors, theologians, and historians. Special attention is given to works by major artists such as T'oros Roslin, Sargis Pidzak, Toros Taronatsi, and Hakob of Julfa working in the Armenian homeland, the Kingdom of Cilicia, and New Julfa.

More than half of the works on display are on loan from The Republic of Armenia with the support of The Ministry of Culture. Imposing liturgical works are coming from the Mother See of Holy Etchmiadzin, the primary site of the Armenian Church. In Yerevan, the “Matenadaran” Mesrop Masthots` Institute - Museum of Ancient Manuscripts is lending exceptional manuscripts, and the History Museum of Armenia is lending monumental church sculptures. The Holy See of Cilicia in Lebanon, the Armenian Patriarchate of Jerusalem, and the Armenian Mekhitarist Congregation in Venice are the other major Armenian religious communities lending exceptional works. Armenian collections lending select works are the Calouste Gulbenkian Museum in Portugal and in America, the Diocese of the Armenian Church (Eastern) (New York); the Armenian Museum of America (Boston); and the Alex and Marie Manoogian Museum (Southfield, Michigan). Additional works are coming from The Met and other American and European institutions.

Photographs of Armenian architecture and landscapes by noted Armenian-Canadian photographer Hrair Hawk Khatcherian and his assistant Lilit Khachatryan will provide context for the works in the exhibition, in the catalogue, and on the exhibition page of the website.


The exhibition was organized by Helen C. Evans, the Mary and Michael Jaharis Curator of Byzantine Art, with the support of C. Griffith Mann, the Michel David-Weill Curator in Charge, Department of Medieval Art and The Cloisters, and the assistance of Constance Alchermes, Research Assistant.

Exhibition design is by Michael Langley, Exhibition Design Manager; graphics are by Chelsea Amato and Morton Lebigre, Graphic Designers; and lighting is by Clint Ross Coller and Richard Lichte, Lighting Design Managers.

Catalogue and Programs

Armenia! is accompanied by a lavishly illustrated catalogue suitable for the general public and specialists alike. Published by The Metropolitan Museum of Art and distributed by Yale University Press, the book will be available in The Met Store ($65, hardcover). 

The catalogue is made possible by The Andrew W. Mellon Foundation, The Tianaderrah Foundation, the Michel David-Weill Fund, the Dolores Zohrab Liebmann Fund, the Ruben Vardanyan and Veronika Zonabend Family Foundation, Joanne A. Peterson, The Armenian Center at Columbia University, Elizabeth and Jean-Marie Eveillard, and Souren G. and Carol R. K. Ouzounian.

An audio tour, part of the Museum’s Audio Guide program, is available for rental ($7, $6 for Members, $5 for children under 12).

The Audio Guide is supported by Bloomberg Philanthropies.

Education programs have been organized to complement the exhibition.

Exhibition curator Helen C. Evans will trace the westward expansion of Armenian art and culture from the fourth to the 17th century in a MetSpeaks lecture (October 18, 6:30 p.m.). Tickets start at $30.

Armenian folk and liturgical music will be performed in the exhibition by Gevorg Dabaghyan on the duduk, a double-reed wind instrument (October 26, 5:30 and 6:30 p.m.). Free with Museum admission.

The MetLiveArts multimedia performance The Sound of Stone, conceived by visual artist Kevork Mourad, will feature live drawings by Mourad and music composed by pianist Vache Sharafyan (November 2, 7 p.m.). Tickets start at $50.

The international ensemble Axion Estin Foundation Chanters will mark Armenian Christmas with pop-up performances of chants and carols from Armenia and Eastern Orthodoxy (January 4, 2:00, 4:00, and 6:00 p.m.). Free with Museum admission.

Other offerings include an Art Explore program for children, ages 11–14 (November 4, 1:00–3:00 p.m.), and a series of exhibition tours for the general public. Art Explore is free; reservations are encouraged. Gallery talks are free with Museum admission; space is limited. Stickers for gallery talks are distributed at all admissions, information, and Membership desks.  

These programs are made possible by the Armenian General Benevolent Union.

An international symposium will explore the role Armenians played in encouraging international trade in the Middle Ages and the resulting influence on their own artistic traditions (November 3, 10:30 a.m.–5:00 p.m.).

The symposium is made possible by The Armenian Center at Columbia University.

The exhibition will be featured on The Met website as well as on Facebook, Instagram, and Twitter via the hashtag #MetArmenia. The Now at The Met blog will include essays about doing exhibition research in Armenia, a young art historian’s experiences as part of the exhibition team, the work of creating a map for the exhibition, and an Armenian map in Italy.

A special Vespers service that evokes the religious beliefs and traditions that inspired works in the exhibition will be held at St. Vartan Armenian Cathedral (November 27, 7:30 p.m.) for the public. One of the landmark church buildings of New York City, the cathedral was modeled after the seventh-century church of St. Hripsime in Armenia.


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December 7, 2018

Image: Altar Frontal (detail). New Julfa, 1741. Gold, silver, and silk threads on silk. Mother See of Holy Etchmiadzin, Armenia. Photo: Hrair Hawk Khatcherian and Lilit Khachatryan


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