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To celebrate Philippe de Montebello's 31 years as Director of The Metropolitan Museum of Art, the curators of the Museum have organized an exhibition of approximately 300 of the more than 84,000 works of art acquired during his tenure. This unique project – The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions, which will be on view in The Tisch Galleries from October 24, 2008, through February 1, 2009 – is a collaboration of the curators currently working in the Museum's 17 curatorial departments. Special emphasis will be placed on works that were transformative to the Metropolitan Museum's collections by building on existing strengths and expanding into new areas of collecting. Mr. de Montebello – the eighth and longest-serving Director of The Metropolitan Museum of Art – announced in January his plans to retire at the end of the year.
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Sixteen photographs by contemporary artist Shigeyuki Kihara (b. 1975, Samoa) will be on view at The Metropolitan Museum of Art beginning October 7. This marks the first presentation of Samoan contemporary art at the Museum. Shigeyuki Kihara: Living Photographs explores themes of Pacific culture, identity, colonialism, indigenous spirituality, stereotypes, gender roles, and consumerism. Works on view include a hauntingly beautiful picture from the artist's 2004 Vavau series called Taema ma Tilafaiga: Goddess of Tatau, depicting Samoan goddesses chanting about the art of tattooing, as well as a highly praised work titled Fa'a fafine: In a Manner of a Woman, Triptych 1-3, a sequence of photographs, in which the artist re-create and addresses a Samoan portrait genre, in which women were posed as reclining "South Seas Belles." All works on view were printed this year by the artist in Auckland, New Zealand, except two from the Metropolitan's own collection. Complementing the exhibition will be a performance by the artist, Taualuga: The Last Dance, in the Museum's Grace Rainey Rogers Auditorium on October 19.
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Rhythms of Modern Life: British Prints 1914-1939, the first major exhibition in the United States to examine the impact of modern artistic movements – especially Italian Futurism – on British printmaking from the outbreak of World War I to the beginning of World War II, will be on view at The Metropolitan Museum of Art beginning September 23, 2008. Featuring the work of 14 artists, Rhythms of Modern Life will showcase more than 100 prime examples of graphic works that celebrate the vitality and dynamism of modern life.
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In the late 1930s, Rudy Burckhardt—then a recent émigré to America from Switzerland—photographed his adopted hometown of New York City, and immediately made some of the most lyrical, witty, and poetic images of the city ever created. New York, N. Why?: Photographs by Rudy Burckhardt, 1937–1940, opening September 23 at the Metropolitan Museum, will present in its entirety Burckhardt's unique, handmade album of 67 classic images of sidewalks, outdoor advertising, and pedestrians, selected and sequenced by Burckhardt in 1940 and acquired by the Museum in 1972.
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Thirteen works by seven contemporary African-American artists – Chakaia Booker, Willie Cole, Glenn Ligon, Whitfield Lovell, Alison Saar, Lorna Simpson, and Kara Walker – are featured at The Metropolitan Museum of Art in Provocative Visions: Race and Identity – Selections from the Permanent Collection. The installation, which opened August 19, examines the ways these artists challenge accepted perceptions and assumptions about race, gender, and identity. Cultural heritage and personal history provide a context for these images. All of the sculptures, prints, and drawings were acquired during the past 13 years, within a year or two of their creation – supported in large part by gifts from the Peter Norton Family Foundation and the Hortense and William A. Mohr Sculpture Purchase Fund. Most works are on display at the Metropolitan Museum for the first time.
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The paintings of Wang Hui, the most celebrated artist of late 17th-century China, will be featured in an exhibition opening on September 9 at The Metropolitan Museum of Art. Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717) will trace Wang's artistic development – from his early years as a brilliant reinterpreter of classic landscape styles to the pinnacle of his career, when he was chosen to illustrate the Kangxi Emperor's epic 1689 inspection tour of China's cultural heartland – through 27 paintings drawn from the Taipei and Beijing Palace Museums, Shanghai Museum, and several North American collections. The presentation of Wang Hui's career will incorporate 11 works that have never before been exhibited in the West, including two enormous panoramic landscape handscrolls. Wang's paintings will be complemented by a selection of earlier landscapes, drawn largely from the Metropolitan Museum's holdings, that will highlight the sources of Wang Hui's inspiration.
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An installation of 30 palm-leaf folios from Indian illuminated manuscripts will open at The Metropolitan Museum of Art on July 29, 2008. Featuring some of the earliest surviving Indian manuscripts, dating from the 10th to the 13th century, Early Buddhist Manuscript Painting: The Palm-leaf Tradition will center on one remarkable Mahayanist Buddhist text, the Ashtasahasrika Prajnaparamita Sutra ('Perfection of Wisdom'), illustrated through the Museum's rare holdings of eastern Indian and Nepalese illuminated palm-leaf manuscripts, book-covers, initiation cards, thankas, and sculptures.
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The Italian term pietre dure – literally meaning "hard stones" – refers to the artistic cutting of semiprecious stones, such as agate, lapis lazuli, and other colorful hardstones, to fashion extravagant luxury objects, from architectural ornament and furniture to ornate display items and personal jewelry. Opening July 1 at The Metropolitan Museum of Art, the landmark exhibition Art of the Royal Court: Treasures in Pietre Dure from the Palaces of Europe will feature more than 170 masterpieces in carved stone, many of them embellished with gold and silver mounts or decorated with exotic woods and other coveted materials. From the Renaissance to the early 19th century, the affluent societies of Europe were mesmerized by works in pietre dure, both as diplomatic gifts and as objects of desire. The presentation at the Metropolitan will offer the most comprehensive overview ever dedicated to this magnificent medium.
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A new installation at The Metropolitan Museum of Art – Krishna: Mythology and Worship – celebrates the Hindu god Krishna, perhaps the most popular of all the appearances (avatars) of the Indian Hindu deity Vishnu. The installation of 23 painting, textiles, and sculptures from the Museum's collection will be on view in the Museum's Florence and Herbert Irving Galleries for the Arts of South and Southeast Asia through July 28, 2008. Most of the paintings on display are manuscript pages produced in Rajasthan and the Punjab Hills, illustrating popular events from Krishna's life. The textiles were employed to enhance shrines devoted to Krishna.
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AsAs superheroes enjoy a surge in mass popularity, The Costume Institute at The Metropolitan Museum of Art explores the symbolic and metaphorical associations between these fictional characters and fashion in Superheroes: Fashion and Fantasy, an exhibition at the Museum from May 7 through September 1, 2008. The exhibition features approximately 60 ensembles including movie costumes, avant-garde haute couture, and high-performance sportswear to reveal how the superhero serves as the ultimate metaphor for fashion and its ability to empower and transform the human body.