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The first multi-artist exhibition of video art and new media at The Metropolitan Museum of Art will be presented from February 23 to April 29, 2007. Drawn entirely from the collection of the Museum's Department of Photographs, Closed Circuit: Video and New Media at the Metropolitan features video and new media works made between 1994 and 2004 by eight American and international artists: Darren Almond, Lutz Bacher, Jim Campbell, Omer Fast, Ann Hamilton, David Hammons, Maria Marshall, and Wolfgang Staehle. These highly respected figures in contemporary art will be represented in Closed Circuit by some of their best-known and most celebrated works, only one of which has been on exhibit before at the Met.
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An exhibition of vintage photographs celebrating one of the most memorable
episodes in the history of archaeology – the discovery and exploration of the tomb of the ancient Egyptian pharaoh Tutankhamun (Dynasty 18; ruled ca. 1336-1327 B.C.) – will be on view at The Metropolitan Museum of Art beginning December 19. The photographs, documenting every stage in the process of the excavation, were taken by the renowned archaeological photographer Harry Burton, who was a staff member of the Metropolitan Museum Egyptian Expedition when he was "lent" to Howard Carter, the famed excavator of Tutankhamun's tomb. Discovering Tutankhamun: The Photographs of Harry Burton features his spectacular black-and-white images of the entrance passage to the tomb, the opening of the sealed chambers inside, the first view of the contents and removal of the objects, and the beautifully made and decorated treasures that were found. The four chambers of the tomb were crammed with objects such as gold-covered chariots; elaborately inlaid furniture and chests; a vast array of the king's personal belongings, including jewelry; a series of shrines and coffins that protected the king; and the famous solid-gold mask that adorned his mummy – the last, among the most iconic examples of ancient Egyptian art ever to have come to light.
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With nearly 200 works of art from more than 60 public and private collections around the world, Venice and the Islamic World, 828 – 1797 is the first major exhibition to explore one of the most important and distinctive facets of Venetian art history: the exchange of art objects and interchange of artistic ideas between the great Italian maritime city and her Islamic neighbors in the eastern Mediterranean. Glass, textiles, carpets, arms and armor, ceramics, sculpture, metalwork, furniture, paintings, drawings, prints, printed books, book bindings, and manuscripts tell the fascinating story of the Islamic contribution to the arts of Venice during her heyday, from the medieval to the Baroque eras. 828, the year two Venetian merchants stole Saint Mark's hallowed body from Muslim-controlled Alexandria and brought it to their native city, and 1797, when the Venetian Republic fell to the French conqueror Napoleon Bonaparte, form the chronological parameters of the exhibition that opens at The Metropolitan Museum of Art on March 27, 2007.
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An exhibition of exquisite Asian lacquer decorated with mother-of-pearl will open at The Metropolitan Museum of Art on December 2. Featuring some 50 works dating from the eighth to the 19th century, Mother-of-Pearl: A Tradition in Asian Lacquer will illustrate the remarkable variety of effects found in the use of minute pieces of mother-of-pearl to create mosaic-like patterns and dazzling scenes. It will also explore the importance of lacquer decorated with mother-of-pearl in interregional trade from the 12th to the 19th century and in the development of maritime global trade – particularly works made in India and Japan – in the late 16th and early 17th centuries. Drawn largely from the Museum's permanent collection, the exhibition will include recent acquisitions as well as several important loans from public and private collections in the United States.
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Bringing together masterpieces from The Metropolitan Museum of Art's permanent collection with important loans from private collections, Brush and Ink: The Chinese Art of Writing explores the 1,600-year history of calligraphy from its genesis as a fine art in the fourth century A.D. The exhibition presents some 70 works of calligraphy executed by renowned traditional masters – Huang Tingjian (1045-1105), Zhao Mengfu (1254-1322), Ni Zan (1306-1374), and Dong Qichang (1555-1636) – as well as by five contemporary artists. Early inscribed ritual bronzes, dynamic scholars' rocks, and objects made for the artist's study complement the calligraphy.
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The Wall of Light series by celebrated artist Sean Scully (born 1945) will be the focus of an exhibition at The Metropolitan Museum of Art from September 26, 2006, through January 15, 2007. Sean Scully: Wall of Light will showcase the artist's most important series to date and highlight his mastery of color, light, gesture, and range of emotional and narrative themes. Scully works and exhibits throughout the world, yet this is his first major solo museum exhibition in New York. Featured are 60 works in the Wall of Light series — some 20 of which are large-scale oil paintings — that Scully has created in recent years, first inspired by his travels to Mexico.
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To mark the first anniversary of Hurricane Katrina and the subsequent floods that devastated New Orleans, The Metropolitan Museum of Art will present New Orleans after the Flood: Photographs by Robert Polidori. On view from September 19 through December 10 in The Howard Gilman Gallery, the exhibition will feature approximately 20 large-scale color photographs made by Robert Polidori on four extended visits to New Orleans between September 2005 and April 2006. The quietly expressive photographs present a candid and intimate look at widespread urban ruin — an incomprehensible, topsy-turvy landscape of felled oak trees, houses washed off their foundations, and tumbled furniture that leaves the viewer with more questions than answers.
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To confirm scheduling and dates, call the Communications Department at (212) 570-3951.
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Political, economic, and social turmoil shaped Germany's short-lived Weimar Republic (1919–1933). These pivotal years also became a most creative period of 20th-century German culture, generating innovation in literature, music, film, theater, and architecture. In painting, a trend of matter-of-fact realism took hold in Germany like nowhere else in Europe. Disillusioned by the cataclysm of World War I, the most vital German artists moved towards a Neue Sachlichkeit (New Objectivity), in particular its branch known as Verism. These artists looked soberly, cynically, and even ferociously at their fellow citizens and found their true métier in portraiture, as seen in the 40 paintings and 60 works on paper featured in Glitter and Doom: German Portraits from the 1920s. The presentation, which opens at The Metropolitan Museum of Art on November 14, 2006, features gripping portraits by ten renowned artists: Max Beckmann, Heinrich Maria Davringhausen, Otto Dix, George Grosz, Karl Hubbuch, Ludwig Meidner, Christian Schad, Rudolf Schlichter, Georg Scholz, and Gert H. Wollheim.
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An exhibition of some 60 powerful and graphically elaborate sculptures and 30 rare historical photographs from the Papuan Gulf area of the island of New Guinea will go on view at The Metropolitan Museum of Art, beginning October 24. Featuring sacred objects as well as photographs, Coaxing the Spirits to Dance: Art of the Papuan Gulf will demonstrate how deeply embedded art was in the region's social life in the late 19th and early 20th centuries. The exhibition is the first in-depth investigation of these art traditions in 45 years. Drawn from public and private collections, as well as the Museum's own holdings, many of the works will be exhibited for the first time.