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Daido Moriyama: Hunter, a series of 40 vintage prints of postwar Japan by one of its foremost photographers, Daido Moriyama (b.1938), is on view in The Metropolitan Museum of Art's North Mezzanine Gallery, in the Lila Acheson Wallace Wing.
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Barbara Chase-Riboud: The Monument Drawings, a series of 23 original works by the American artist, novelist, and poet, will be on view in the North Mezzanine Gallery of The Metropolitan Museum of Art's Lila Acheson Wallace Wing.
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To commemorate the 100th anniversary of the death of French artist Gustave Moreau (1826-1898), The Metropolitan Museum of Art is presenting a major exhibition — the largest retrospective of Moreau's work ever shown in the United States — featuring masterpieces from every phase of his distinguished career. Gustave Moreau: Between Epic and Dream includes nearly 175 works — some 40 paintings and 60 watercolors in addition to drawings and preparatory studies, lent primarily from the Musée Gustave Moreau in Paris, with other works drawn from public and private collections in Europe and America.
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Some 50 Impressionist and Post-Impressionist paintings and drawings that have never before been lent from the Musée d'Orsay, Paris, are the centerpiece of an exhibition devoted to the extraordinary art collection formed by Dr. Paul-Ferdinand Gachet (1828-1909), the physician who cared for Vincent van Gogh in the months prior to his suicide in 1890, and who was immortalized in several renowned portraits by the artist. The exhibition, which features more than 130 works in all, includes an additional 40 paintings and works on paper from the Van Gogh Museum in Amsterdam and other collections in Europe and America that also once belonged to the legendary Dr. Gachet, who was both friend and patron to the artists — Monet, Pissarro, Guillaumin, Renoir, Sisley, and above all, Cézanne and Van Gogh — whose works he collected.
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Seven rare baseball cards spanning the career of the late New York Yankees icon Joe DiMaggio — the earliest dating to his fabled rookie year of 1936 — will go on display in The American Wing of The Metropolitan Museum of Art on April 20, concurrently with the opening of the 1999 baseball season and the celebration of Joe DiMaggio Day at Yankee Stadium (April 25). The DiMaggio cards will be on view remain on view through the World Series — October 31, 1999.
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MASTERPIECES FROM THE GILMAN PAPER COMPANY COLLECTION February 26 - May 23, 1999
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One of the most misunderstood aspects of Islamic art is its supposed ban on figural representation. In fact — and surprising to many people — figural imagery is relatively common during many periods in various Islamic cultures. A special exhibition at The Metropolitan Museum of Art in the fall of 1999 will examine these traditions and the variety of figural forms found in Islamic art, as well as the religious issues involved and the resultant tendency toward greater abstraction in ornamentation.
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This loan exhibition will comprise approximately 20 sculptures by Auguste Rodin, ranging from a small terracotta sketch to a life-size portrait in marble, as well as bronze figures, all relating to Rodin's monument to Victor Hugo that was originally commissioned for the Panthéon in Paris. Although a plaster model for the work was a popular success in the Paris Salon of 1897, the completion of this version of the monument and its installation in the Panthéon never took place. A modified version of it in marble was erected in the gardens of the Palais Royal in Paris, where it stood until 1933.
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The Metropolitan Museum of Art will open an outdoor installation of sculptures by Magdalena Abakanowicz, one of the most startlingly innovative artists of our time, on May 1, 1999. Abakanowicz on the Roof will feature a selection of figural works, including signature pieces as well as objects created during the past year that have never before been exhibited. They will be installed in the 10,000-square-foot open-air space of the Iris and B. Gerald Cantor Roof Garden, located atop the Lila Acheson Wallace Wing. The Cantor Roof Garden offers a spectacular view of Central Park and the New York City.
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Some of the earliest extant northern European prints and books — all from The Metropolitan Museum of Art's exceptional collection of this material — will be presented in Devotions and Diversions: Prints and Books from the Late Middle Ages in Northern Europe , from May 11 through August 29, 1999, in the Museum's Karen B. Cohen Gallery and Charles Z. Offin Gallery. Forty-one German, Netherlandish, and French woodcuts and metalcuts (many of them unique impressions), several Netherlandish woodcut blockbook pages, and about twenty illustrated books, including a number of printed French Books of Hours, will be on view.