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Order and disorder, reason and emotion, restraint and excess — opposing impulses such as these have influenced design since the beginning of civilization. Classic/Fantastic: Selections from the Modern Design Collection, opening December 21 at The Metropolitan Museum of Art, juxtaposes these divergent approaches, presenting an Apollonian/Dionysian dichotomy of design philosophies in the modern era. Of the approximately 75 works in a wide range of media — including furniture, metalwork, ceramics, glass, textiles, and drawings — half will be devoted to designs rooted in the centuries-old vocabulary of classicism, updated yet still linked to the rules and traditions of the past, and the other half to romantic and surreal subjects of fantasy, drawn from the realm of pure imagination. A number of works from the Metropolitan Museum's collection will be exhibited for the first time, including tables by Costa Achillopoulo and John Dickinson, a Dutch Rozenburg ceramic covered vase (ca. 1900-14), a Danish lamp by Sigfrid Wagner (1905), a Dale Chihuly Venetian series glass vase (1989), and flatware designed by the American Marion Weeber (1965-70).
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中國人有句話說：“一圖勝千言”。有鑒于此，將於2008年三月一日在大都會博物館開幕的特展 “書畫名品的奧妙：如何解讀中國畫” 對中國書畫進行圖像分析，將原作與放大的細部照片並列，以顯示每件作品的奧妙之處。展出的大都會博物館收藏的書畫共有三十六件，有時一個展廳只針對兩三件作品，透過精彩的細部放大，使觀衆了解其風格、構圖、或内容。作品的年代跨越八世紀到十七世紀的一千年，題材包括人物、山水、花鳥、和宗教畫，是大都會館藏中的精華。
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A Chinese saying summarizes the dichotomy between image and text this way:
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Opening at The Metropolitan Museum of Art on February 5, Jasper Johns: Gray will be the first exhibition to examine the use of the color gray in the work of American artist Jasper Johns. From the mid-1950s to the present, gray has been a consistent thread in Johns's practice and an important means for the artist to evoke different moods and to explore a range of formal ideas. This major exhibition offers a new lens through which to see the work of this pivotal American artist, bringing together 119 paintings, reliefs, drawings, prints, and sculptures. Jasper Johns: Gray features masterworks of Johns's career — such as Canvas, Gray Target, Jubilee, 0 through 9, No, Diver, and The Dutch Wives — as well as works from the artist's recent Catenary series and new works never before exhibited.
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It is impossible to tell you all the insults my painting of this year has won me, but I don't care, for when I am no longer controversial I will no longer be important.
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A special installation of magnificent Korean screens dating from the late 19th to the early 20th century will go on view at The Metropolitan Museum of Art on March 11. Featuring four screens drawn from American collections, Beauty and Learning: Korean Painted Screens will highlight a unique genre of Korean painting known as ch'aekkŏri (books and things), which flourished in Korea from the late 18th to the early 20th century. These screens, portraying books and objects, can be seen as representations of a scholar's study or studio. Approximately 20 objects, including ceramics and bronzes similar to those illustrated in the screens, will complement the installation. This is the first exhibition to focus on the subject in the United States.
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"I would like… to join the curves of the women to the shoulders of the hills…Like Poussin, I would like to put reason in the grass and tears in the sky."
Paul Cézanne (1839-1906)
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On the occasion of the 150th anniversary of the design for Central Park, Frederick Law Olmsted's 843-acre New York City masterpiece, The Metropolitan Museum of Art will present Lee Friedlander: A Ramble in Olmsted Parks. On view from January 22 to May 11, 2008, the exhibition will feature 36 photographs, most never before on public display. Friedlander describes these striking photographs, culled from a 20-year exploration of public parks and private estates designed by North America's premier landscape architect, as "one photographer's pleasurable and wandering glances at places that bear the great vision of Mr. Olmsted."
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As a living art, fashion is open to multiple readings, and blog.mode: addressing fashion at The Metropolitan Museum of Art from December 18, 2007, through April 13, 2008, presents approximately 65 costumes and accessories dating from the 18th century to the present — all recent Metropolitan Museum acquisitions — and invites the public to share their reactions via a blog on the Museum's website. Over the duration of the exhibition, which will take place in The Costume Institute galleries, individual costumes and accessories will be posted on the blog periodically with commentary from curators Harold Koda and Andrew Bolton, and, where relevant, from contemporary designers.
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An installation of rare and exquisitely decorated armor, weapons, and equestrian equipment from Tibet and culturally related areas of Mongolia and China will go on view at The Metropolitan Museum of Art on December 14. Featuring approximately 35 objects dating from the 15th to the 20th century, Tibetan Arms and Armor from the Permanent Collection will explore this little known aspect of Tibet's rich artistic and historic culture. Drawn from the Museum's own collection – one of the most important in the world – the installation includes several recent acquisitions that have never before been exhibited or published.