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On the occasion of the 150th anniversary of the design for Central Park, Frederick Law Olmsted's 843-acre New York City masterpiece, The Metropolitan Museum of Art will present Lee Friedlander: A Ramble in Olmsted Parks. On view from January 22 to May 11, 2008, the exhibition will feature 36 photographs, most never before on public display. Friedlander describes these striking photographs, culled from a 20-year exploration of public parks and private estates designed by North America's premier landscape architect, as "one photographer's pleasurable and wandering glances at places that bear the great vision of Mr. Olmsted."
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As a living art, fashion is open to multiple readings, and blog.mode: addressing fashion at The Metropolitan Museum of Art from December 18, 2007, through April 13, 2008, presents approximately 65 costumes and accessories dating from the 18th century to the present — all recent Metropolitan Museum acquisitions — and invites the public to share their reactions via a blog on the Museum's website. Over the duration of the exhibition, which will take place in The Costume Institute galleries, individual costumes and accessories will be posted on the blog periodically with commentary from curators Harold Koda and Andrew Bolton, and, where relevant, from contemporary designers.
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From the Middle Ages through the late 18th century, the courts of Europe lavished vast resources on tapestries made in precious materials after designs by the leading artists of the day, and works in this spectacular medium were prized by the aristocracy for their artistry and also as tools of propaganda. Tapestry in the Baroque: Threads of Splendor – on view at The Metropolitan Museum of Art beginning October 17 – will offer the first comprehensive survey of high-quality 17th-century European tapestry, and will demonstrate the importance of tapestry as a prestigious figurative medium throughout that century. Organized by the Metropolitan Museum, it is a sequel to the ground-breaking exhibition, Tapestry in the Renaissance: Art and Magnificence, that received widespread public and scholarly acclaim during its presentation at the Metropolitan in spring 2002.
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Opening September 25 at the Metropolitan Museum, Impressed by Light: British Photographs from Paper Negatives, 1840–1860, is the first major exhibition to survey British calotypes — works of exceptional beauty and rarity which are made from paper negatives and are among the earliest forays into the medium of photography. During the first two decades of photography, British photographers turned their lenses on family, nature, and the landscape at home, and on historic architecture, ruins of past civilizations, and exotica abroad. Impressed by Light presents works by 40 artists, including such masters as William Henry Fox Talbot, David Octavius Hill and Robert Adamson, Roger Fenton, Benjamin Brecknell Turner, and Linnaeus Tripe, as well as many talented but unrecognized artists. The majority of the works featured have never before been exhibited or published in the U.S. and are unfamiliar to scholars and the public alike.
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One of the preeminent collections of Abstract Expressionism, The Muriel Kallis Steinberg Newman Collection was given to The Metropolitan Museum of Art in 2006, contributing significantly to the Museum's holdings in modern art. To celebrate the gift, Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in The Metropolitan Museum of Art — on view from September 18, 2007, to March 2, 2008 —presents 55 works assembled by one of the most prescient and astute collectors of the mid-20th century.
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Through their long history, the ancient Egyptians used copper, bronze, gold, and silver to create lustrous, graceful statuary for their interactions with their gods – from ritual dramas in the temples and chapels that dotted the landscape to festival processions through the towns and countryside that were thronged by believers. Opening at The Metropolitan Museum of Art on October 16, 2007, Gifts for the Gods: Images from Egyptian Temples is the first exhibition ever devoted to these fascinating yet enigmatic works.
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The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art will present, for the first time, all of the Metropolitan Museum's 228 Dutch paintings (dating mostly from the 1600s), widely considered the greatest collection of Dutch art outside Europe. Normally, only about 100 Dutch paintings are on view in the Museum. This comprehensive exhibition will provide a unique opportunity for visitors to view the collection of Dutch paintings as a whole. The exhibition also commemorates the 400th anniversary year of Rembrandt's birth and coincides with the publication of the first complete catalogue of Dutch paintings in the Metropolitan Museum.
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An exhibition featuring a remarkable assemblage of porcelain, metalwork, jade, lacquer, and textiles created during the Qing dynasty of China will go on view at The Metropolitan Museum of Art on August 25. Drawn from the permanent collection and complemented by select loans, Excellence and Elegance: Decorative Arts of the Eighteenth-Century Qing Court will explore the unprecedented level of technical virtuosity achieved during this period. The exhibition also illustrates the imperial taste for ancient themes, interest in Western motifs, and exacting patronage that contributed to the flourishing of the decorative arts. Among the 60 works on view will be a dazzling selection of rare porcelain wares, decorated with monochrome glaze or enamel colors.
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Established in Boston in 1808 and relocated to Philadelphia three years later, the silversmithing firm of Thomas Fletcher and Sidney Gardiner produced American silver of unprecedented quality and grandeur. Opening November 20 at The Metropolitan Museum of Art, Silversmiths to the Nation: Thomas Fletcher and Sidney Gardiner, 1808-1842 is the first exhibition devoted entirely to their work, which, in its grand scale and patriotic imagery, reflected America's coming of age as a commercial, industrial, political, and artistic center. More than 100 examples in silver – from monumental vessels that celebrate military and civic heroes to domestic, ecclesiastical, and personal items resplendent with neoclassical ornament and displaying sophisticated design and craftsmanship – are arranged chronologically and thematically. A rare group of some 35 related drawings, purchased by the Metropolitan in 1953 and never before exhibited together, will offer important insights into the evolution of Fletcher and Gardiner's designs. Of particular interest will be the display of seven works in silver alongside their corresponding design drawings.