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AngloMania: Tradition and Transgression in British Fashion
Tuesday, April 25, 2006, 4:00 a.m.
AngloMania: Tradition and Transgression in British Fashion, opening on May 3, 2006, will present a wide range of works by British designers in The Metropolitan Museum's English Period Rooms – The Annie Laurie Aitken Galleries. A pendant to the acclaimed 2004 Costume Institute exhibition Dangerous Liaisons: Fashion and Furniture in the 18th Century, AngloMania will examine ideals, stereotypes, and representations of Englishness by juxtaposing historical costume with late 20th- and early 21st-century fashions.
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Rehabilitating Historic Cairo to be Theme of April 23 Lecture at Metropolitan Museum
Sunday, March 26, 2006, 5:00 a.m.
The historic development of Cairo and its growing, shifting, and transforming urban fabric will be the focus of a lecture by Swiss architect/urban designer Dr. Stefano Bianca at 2:00 p.m. on April 23 in the Grace Rainey Rogers Auditorium of The Metropolitan Museum of Art. It is free with Museum admission.
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Renowned Chinese-born Artist Cai Guo-Qiang to Create 2006 Installation for Metropolitan Museum's Roof Garden
Thursday, March 23, 2006, 5:00 a.m.
Cai Guo-Qiang, the acclaimed Chinese-born artist known internationally for his elaborate sculpture installations and gunpowder projects, has been invited to create a site-specific exhibition for the 2006 season of The Iris and B. Gerald Cantor Roof Garden at The Metropolitan Museum of Art. The four works comprising Cai Guo-Qiang on the Roof: Transparent Monument were inspired by the dramatic setting of the Roof Garden, an open-air space atop the Lila Acheson Wallace Wing that offers spectacular views of Central Park and the Manhattan skyline, and by the artist's reactions to issues of present-day concern.
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Survey Shows Van Gogh Drawings Exhibition at Metropolitan Museum Generated $251 Million Economic Impact for New York
Monday, March 20, 2006, 5:00 a.m.
(New York, March 21, 2006)—The acclaimed and widely attended fall/winter special exhibition Vincent van Gogh: The Drawings generated $251 million in spending by regional, national, and foreign tourists to New York, according to a Metropolitan Museum of Art visitor survey released today. Using the standard ratio for calculating tax revenue impact, the study found that the direct tax benefit to the City and State from visitors who declared that seeing the exhibition was a deciding factor in their decision to visit New York totaled some $25 million.
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Kara Walker Exhibition at Metropolitan – Inspired by Hurricane Katrina - Explores Theme of "After the Deluge" through Works by Artists through the Ages
Sunday, March 19, 2006, 5:00 a.m.
In the wake of Hurricane Katrina, contemporary American artist Kara Walker (b. 1969) – widely recognized for her explorations of issues of race, gender, and sexuality through the 18th-century medium of cut-paper silhouettes – has selected a variety of objects from the Museum's collection and from her own work in order to explore, in her words, "the banality of everyday life, water, and its impact." The exhibition, entitled Kara Walker at the Met: After the Deluge, will be on view from March 21 through July 30.
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Sight Unseen: Photographs from the Gilman Collection
Tuesday, March 7, 2006, 5:00 a.m.
The Metropolitan Museum of Art is now presenting Sight Unseen: Photographs from the Gilman Collection as part of its continuing series of installations of works from its recent landmark acquisition of 8,500 photographs spanning the first hundred years of the medium. The photographs in the exhibition have never been shown publicly at the Metropolitan and will remain on view through May 21, 2006.
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A Taste for Opulence: Sèvres Porcelain from the Collection
Thursday, February 16, 2006, 5:00 a.m.
A Taste for Opulence: Sèvres Porcelain from the Collection presents a selection of objects such as vases, dinner and tea services, furniture decorated with porcelain plaques, and other luxurious wares produced in the 18th century by the Sèvres porcelain factory. Established in the Château of Vincennes just outside Paris in 1740, the factory quickly became the preeminent producer of porcelain in Europe. Supported in its early years by the patronage of Louis XV, the factory was named the manufacture du roi in 1753 and was purchased by the king in 1759. Catering in large part to the tastes of the court, the factory strove for constant innovation and originality throughout the 18th century, frequently employing the leading artists and designers of the day to provide models and inspiration for the factory's artisans. A Taste for Opulence, which focuses on the diversity of the factory's production, will include approximately 90 objects drawn entirely from the Museum's superb holdings of Sèvres porcelain and from its unparalleled collection of 18th-century French furniture decorated with Sèvres plaques. The exhibition will be on view from February 21 through August 13, 2006.
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Works by French Romantic Painter Displayed in Girodet: Romantic Rebel at Metropolitan Museum
Thursday, February 16, 2006, 5:00 a.m.
Girodet: Romantic Rebel is the first retrospective in the United States devoted to this celebrated French artist, Anne-Louis Girodet-Trioson, a favored but rebellious student of Jacques-Louis David. Girodet's idiosyncratic style fuses David's Neoclassical ideal with his own prescient Romantic vision. The exhibition brings together approximately 110 paintings and works on paper that reflect the artist's originality and the diversity of his works, from mythological subjects to portraits and representations of Napoleon's military triumphs.Girodet will be on view at The Metropolitan Museum of Art from May 24 through August 27, 2006.
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The Fabric of Life: Ikat Textiles of Indonesia
Thursday, February 2, 2006, 5:00 a.m.
The first exhibition to examine ikat textile traditions across the breadth of Indonesia will open at The Metropolitan Museum of Art on February 28, 2006. Featuring more than 25 outstanding ikat textiles, most never before exhibited, The Fabric of Life: Ikat Textiles of Indonesia explores the imagery, forms, and roles of what is perhaps the single most important, widespread, and technically sophisticated of all Indonesian textile traditions. They are drawn primarily from the Metropolitan's extensive collection of Indonesian textiles.
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Warriors of the Himalayas: Rediscovering the Arms and Armor of Tibet
Thursday, February 2, 2006, 5:00 a.m.
Warriors of the Himalayas: Rediscovering the Arms and Armor of Tibet is the first comprehensive study of armor, weapons, and equestrian equipment from Tibet, a subject that has remained virtually unexplored until now. Many rare or previously unknown objects will be exhibited and published for the first time. Presenting more than 130 works, the exhibition will examine various types of unique arms and armor used in Tibet, the world's highest plateau, between the 13th and the 20th century. The objects are drawn mostly from the permanent collection of The Metropolitan Museum of Art and include many key loans from the Royal Armouries Museum, Victoria and Albert Museum, Royal Museum of Scotland, the National Museums Liverpool, Pitt Rivers Museum, British Museum, University of Aberdeen, Smithsonian Institution, Yale University, and Newark Museum. The accompanying catalogue will include the first Tibetan-English arms and armor glossary of terms and a selection of excerpts from some of the few surviving Tibetan texts relating to the subject.