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Samson (or Hercules?)

late 16th–early 17th century
Not on view
Few paintings survive by Jacques Bellange, a favored artist of the ducal court of Lorraine in what is today northeastern France. His reputation as one of the greatest late Mannerist artists is due primarily to his extant prints and drawings, which are distinguished by their idiosyncratic style combining courtly elegance and psychological expressiveness. This recently discovered sheet is entirely characteristic of Bellange's style as a draftsman. Flamboyant curves and curlicues are produced in a rapid ink line, delineating the figure's beard, the animal skins draped from his shoulder, and his elaborate sandals. Passages of parallel hatching, reinforced by blocky areas of wash, model his powerful, twisting form in a pose suggestive of both force and grace.

Samson and Hercules, who happen to share the attributes of lion skin and club, have both been proposed as the subject of this sheet. In the biblical account, the club Samson brandishes is the jawbone of an ass, the weapon used to defeat the Philistines. He is sometimes depicted after the battle holding the jawbone aloft, whence water would miraculously gush forth to quench his thirst.

Perrin Stein, May 2014

Artwork Details

Object Information
  • Title: Samson (or Hercules?)
  • Artist: Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy)
  • Date: late 16th–early 17th century
  • Medium: Pen and brown ink, brush and brown and gray wash
  • Dimensions: 15 5/16 x 7 1/4 in. (38.9 x 18.4 cm)
  • Classification: Drawings
  • Credit Line: Purchase, Harris Brisbane Dick Fund and Joseph Pulitzer Bequest, 2001
  • Object Number: 2001.568
  • Curatorial Department: Drawings and Prints
More Artwork
The Raising of Lazarus, Jacques Bellange  French, Pen and brown ink, brown wash
Jacques Bellange
ca. 1606–8
Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
The Parade, Si Lewen  American, Manufactured charcoal, pencil, crayon, ink, scratching, and hand applied gesso on paperboard
Si Lewen
ca. 1950
Saint Andrew, Jacques Bellange  French, Etching
Jacques Bellange
1595–1616
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century

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