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477 results for Prendergast watercolor

Image for Conserving Gilliéron’s Watercolors
Starting in 2015, three remarkable watercolors by Emil Gilliéron were studied and conserved, after more than seventy years in storage, to prepare them for the exhibition Watercolors of the Acropolis: Émile Gilliéron in Athens. See how they did it.
Image for Watercolor Painting in Britain, 1750–1850
Essay

Watercolor Painting in Britain, 1750–1850

October 1, 2004

By Elizabeth E. Barker

The technique of water-based painting dates to ancient times, and belongs to the history of many cultures in the world.
Image for The Robert Lehman Collection. Vol. 8, American Drawings and Watercolors
The five sketchbooks and twenty-two single drawings catalogued in this volume, many of them for the first time, are among the more than 2000 works of art collected by Robert Lehman and his father, Philip Lehman, that since 1975 have been housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman acquired most of these American drawings, which range in date from the late nineteenth century to after 1960, in the decade before he died in 1969. The deft and fascinating watercolors in Maurice Prendergast's Large Boston Public Garden Sketchbook, all reproduced here in full color, are the highlights of this collection. Also of great interest are a book of 140 sketches, never before published, that Prendergast made in the parks and on the boulevards of Paris in the 1890s and three of his watercolors and a figure drawing from the early 1900s, as well as a later watercolor by his brother and collaborator, Charles Prendergast. The catalogue opens with a small pencil drawing by Whistler that can be dated to 1901, when he traveled to Corsica to escape the London winter. Another sketchbook records Robert Henri's trip to Spain in 1906, and yet another contains drawings by the young Marjorie Organ, whom Henri married in 1908. George Luks and William Glackens, who with Maurice Prendergast and Robert Henri were part of the group later known as The Eight, are also represented, as is their friend James Preston. Among the more recent works in the collection is a sketchbook that David Levine filled with his impressions of Europe in 1960, a series of quick but astute sketches drawn by a master of caricature. Carol Clark is Professor of Fine Arts and American Studies at Amherst College in Amherst, Massachusetts. She is co-author, with Nancy Mowll Mathews and Gwendolyn Owens, of Maurice Brazil Prendergast, Charles Prendergast: A Catalogue Raisonné (Munich, 1990).
Image for Large Boston Public Garden Sketchbook: The Huntington Avenue Streetcar

Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New York)

Date: 1895–1897
Accession Number: 1975.1.940

Image for Picnic by the Inlet

Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New York)

Date: ca. 1918–23
Accession Number: 1996.460

Image for Maurice Prendergast

From 1895 to 1897, Maurice Prendergast filled the pages of a folio album with drawings in watercolor, pencil, and pen and ink, sketched on-site in the Boston Public Garden. His radiant images captured the carefree recreation of cossetted children and their adoring families in beguiling snapshots. The album, later called the Large Boston Public Garden Sketchbook, very likely served as a presentation piece for publishers and other clients.

On view June 1–September 7, 2015

Image for Large Boston Public Garden Sketchbook: Two women conversing on the street

Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New York)

Date: 1895–97
Accession Number: 1975.1.929

Image for Large Boston Public Garden Sketchbook: Night scene with three women in blue

Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New York)

Date: 1895–97
Accession Number: 1975.1.936

Image for Allegory

Charles Prendergast (American, Boston, Massachusetts 1863–1948 Norwalk, Connecticut)

Date: ca. 1927–28
Accession Number: 1975.1.918

Parks and Promenades: Maurice Prendergast in The Metropolitan Museum of Art will present Maurice Prendergast (1858-1924) as painter, watercolorist, draftsman, and book illustrator. Gathered from the holdings of the Metropolitan Museum's Department of American Paintings and Sculpture, Department of Drawings and Prints, and Robert Lehman Collection, the exhibition will be the first to present the Museum's entire collection of Prendergast's work. Cursory pencil drawings of incidental Parisian life; luminous, large-scale watercolors from the Large Boston Public Garden Sketchbook (1895-97); and oil paintings of recreational activities on the Massachusetts shore and in New York's Central Park will chronicle a lifetime of plein-air observation. On view July 25 through October 22, 2000, the exhibition will feature some 70 works, including many of Prendergast's most acclaimed watercolors, which, because of their sensitivity to light, have not been shown together for more than a decade.
Image for Large Boston Public Garden Sketchbook: A woman walking in the rain under an umbrella

Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New York)

Date: 1895–97
Accession Number: 1975.1.931

Image for Large Boston Public Garden Sketchbook: Flowers and butterflies

Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New York)

Date: 1895–97
Accession Number: 1975.1.955