Shoes provide important clues to dramatic changes in fashionable dress through the centuries, documenting shifts in aesthetic taste, as well as advances in design and manufacturing techniques.

Conservators Glenn Petersen and Mecka Baumeister and Jan G. Reeder, former consulting curator for the Brooklyn Museum Costume Collection at The Costume Institute, examine the mystery behind and debunk the myths around Pierre Yantorny and his work.

Metropolitan Museum conservator Isabelle Duvernois discusses Georges Braque's painting process and his adaptation of collage techniques to painting.

Learn more about the unique textures and media used in Juan Gris’s papier collé, _Book and Glass_ (1914).

Independent curator and art historian Lowery Stokes Sims talks about her role in bringing diversity to The Met collection of contemporary art.

These two collages from 1914 appear to have similar backgrounds, but a closer look reveals significant differences.

This groundbreaking volume examines the extraordinary artistic and cultural traditions of the African region known as the western Sahel, a vast area on the southern edge of the Sahara desert that includes present-day Senegal, Mauritania, Mali, and Niger. This is the first book to present a comprehensive overview of the diverse cultural achievements and traditions of the region, spanning more than 1,300 years from the pre-Islamic period through the nineteenth century. It features some of the earliest extant art from sub-Saharan Africa as well as such iconic works as sculptures by the Dogon and Bamana peoples of Mali. Essays by leading international scholars discuss the art, architecture, archaeology, literature, philosophy, religion, and history of the Sahel, exploring the unique cultural landscape in which these ancient communities flourished. Richly illustrated and brilliantly argued, Sahel brings to life the enduring forms of expression created by the peoples who lived in this diverse crossroads of the world.

This exhibition catalogue documents early photography, particularly the daguerreotype work of the Boston firm, Southworth & Hawes. A thorough introduction provides a brief history of photography, introduces the collection, and highlights the many innovations of these pioneering American artists. Accompanying a 1939 exhibition of daguerreotypes and photographs at The Metropolitan Museum of Art that commemorated the centenary of photography, this text highlights the historic and artistic importance of these early forays into a new medium.

In the second of two posts related to the exhibition Tibet and India: Buddhist Traditions and Transformations, Kurt Behrendt discusses a preparatory trip he made to Buddhist sites in Tibet.